ISLAND OF LOST WOMEN

Jeff Richards and John Smith

ISLAND OF LOST WOMEN (1959). Director: Frank Tuttle. Colorized.

Radio commentator Mark Bradley (Jeff Richards) and his pilot Joe Walker (John Smith of Hot Rod Girl) run into engine trouble and make a landing on what appears to be a deserted island. However, there are several occupants, including three beautiful women: Venus (Venetia Stevenson of The Big Night); Urana (Diane Jergens); and Mercuria (June Blair). Their father, Dr. Paul Lujan (Alan Napier of The Mole People) ran away from the world with his now-dead wife and small daughters because he could see what was coming, as he was an associate of Einstein's and an expert in nuclear fission. When the two men discover who he is, Bradley wants to break the story of the missing scientist when he gets back to civilization, only Lujan wants to hold them prisoner. After Lujan destroys their plane with a flame-thrower gun, Mark and Joe concoct a plan to build a raft and leave the island. But then the gals want to go with them ... 

John Smith with the women

Island of Lost Women is a mediocre timewaster with an interesting premise, but not that much is done with it. The performances are all competent, although Richards has been seen to better advantage elsewhere, and the talented Venetia Stevenson is pretty much wasted. John Smith makes a better impression, even if he's getting by mostly on charm. The other gals are cute and Napier does the best he can with an under-written and rather sappy role. This reminds one a bit of Fire Maidens of Outer Space -- a father and daughters in an isolated habitat -- but even that was more fun than this!

Verdict: At least there's a rather good-looking cast! **. 

THE BIG NIGHT (1960)

Randy Sparks

THE BIG NIGHT (1960). Director: Sidney Salkow. 

High school student Frankie (Randy Sparks) hangs out with a bad crowd but has a loving widowed father, Ed (Dick Foran), and a pretty girlfriend, Ellie (Venetia Stevenson). Frankie discovers a briefcase full of loot from a bank robbery in town and decides to keep it, although Ellie isn't so certain it's a good idea. Nevertheless, having this nice chunk of change inspires Frankie to turn his life around, and he gets a job and new clothing and even wins the approval of Ellie's mother (Anna Lee) and boss (Frank Ferguson). Unfortunately, an ex-cop named Wegg (Jesse White of Country Music Holiday) and a sinister figure named Farrow (Dick Contino of Daddy-O) are also after the money ,,, 

Venetia Stevenson and Randy Sparks 

The Big Night is a minor crime drama but it is bolstered by some very good performances, with an appealing Randy Sparks hitting all the right notes. Venetia Stevenson is a nice actress who also offers a sensitive turn as Ellie. Dick Foran makes the most of his role as the somewhat depressed and defeated Ed. Jesse White is Jesse White -- a totally bland portrayal -- but Dick Contino proves as effective as a murderer as he was as the hero in Daddy-O. Ferguson and Lee are fine, as is Paul Langton [The Hidden Eye] as the head cop on the case. There's a decent romantic score by Richard LaSalle and Jesse White is given a snappy and violent death scene. Randy Sparks was also a composer and the founder of the New Christy Minstrels. He had only a few acting credits. Sidney Salkow also directed Twice-Told Tales. 

Verdict: Some engaging players make this palatable. **3/4.