LOVE'S DEADLY TRIANGLE: THE TEXAS CADET MURDER

Holly Marie Combs and David Lipper

LOVE'S DEADLY TRIANGLE: THE TEXAS CADET MURDER (aka Swearing Allegiance/1997 telefilm). Director: Richard A. Colla. 

In the late nineties in Texas, two young sociopaths -- Diane Zamora (Holly Marie Combs) and David Graham (David Lipper), high school students with plans for the military and marriage -- decide to do away with another young lady, Adrianne Jones (Cassidy Rae), in order to wash out the sin of her sleeping with David, an event that may never have even occurred. Love's Deadly Triangle is a telefilm that was rushed out even before Zamora and Graham were put on trial (both received life sentences.)

David Lipper as Cadet David 

Frankly, Love's Deadly Triangle, although absorbing enough, is another example of a true crime movie that is sort of pasted together in a hurry and lacks any kind of depth of characterization or much else. True, there isn't much to Zamora or Graham aside from severe pathology. In spite of this Combs gives a good performance as the jealous Diane, while Lipper is effective, although a cut or two below his co-star in acting ability. Dee Wallace is fine as Adrianne's heartbroken mother. True crime shows, such as American Justice, that have focused on this tragic case and present the real participants are generally more interesting than this TV movie. Graham at first denied that he murdered Jones, then later not only admitted that he had killed her but that he and Adrienne had never even slept together. Zamora had a brief jailhouse marriage to another man that ended in divorce, and essentially failed a lie detector test on Dateline. Apparently both of these creeps are right where they belong. 

Verdict: Sad case, interesting story, so-so telefilm. **1/2. 

AND NEVER LET HER GO

Mark Harmon and Kathryn Morris

AND NEVER LET HER GO (2-part 3 hour mini-series/2001). Director: Peter Levin. 

Anne Marie Fahey (Kathryn Morris) believes the stories that lover Thomas Capano (Mark Harmon) tells her about his failing marriage, but while she tries to break it off with him more than once, she keeps getting pulled back in -- this despite the fact that she eventually gets a nice boyfriend named Dan (Rick Roberts) and that Thomas already has a long-time mistress named Christine (Rachel Ward). One day Anne completely disappears, alarming her siblings. Detective Gugliatta (Paul Michael Glaser of Phobia) and FBI agent Connolly (Steven Eckholdt) combine forces to try to find out if the self-assured Capano is behind his latest girlfriend's disappearance. Meanwhile Capano's mother (Olympia Dukakis) excoriates Thomas' brothers for not being more like Thomas even as the authorities move in ... 

Harmon with Rachel Ward

And Never Let Her Go is a true story based on the book by Ann "Ghoul" Rule. The telefilm is interesting, but it would have been much tighter if it had been cut by an hour -- the second half is especially talky and tedious at times. It is greatly bolstered by excellent performances across the board, however. Kathryn Morris is outstanding as Anne, and Harmon, usually a lightweight, really delivers in his portrait of the determined and sinister Capano. The members of the supporting cast, especially Dukakis and Ward, are also on the money. 

Verdict: Some top-notch performances put over this true crime drama. ***

 

VOWS OF DECEPTION

VOWS OF DECEPTION (1996 telefilm). Director: Bill Norton.

Fresh off the bus after getting out of jail for child abuse, Lucy -- now Lucinda (Cheryl Ladd) -- runs into Detective Matt Harding (Nick Mancuso). Lucinda is obviously pregnant, so Matt decides to play a practical joke on his buddy, divorced lawyer Clay Spencer (Mike Farrell of Prime Suspect), by setting him up on a date with Lucinda. The plan backfires when Clay invites Lucinda out for dinner and begins an intense romance with her. Eventually the couple marry, and Clay becomes a father to Lucinda's little girl. Although Lucinda seems to be in love with Clay, she begins to make passes at her handsome stepson, Nick (Michael Woolson). How long will Nick, who has a girlfriend in Terry (Nancy Cartwright), be able to resist, and what on earth will it lead to? 

Inspired by a true story, Vows of Deception is a standard but entertaining true crime saga with some good acting from Farrell, Woolson, and especially Nick Mancuso, who is dynamic and excellent. Cheryl Ladd, who is quite sexy in this, successfully keeps the viewer from knowing exactly what's on her mind, increasing the suspense. Bill Norton also directed Gargoyles with Cornel Wilde and False Arrest with Donna Mills. Michael Woolson later became a notable acting coach and stage director.

Verdict: Minor-league but absorbing crime drama. **1/2. 

LAST CALL

 LAST CALL: A True Story of Love, Lust, and Murder in Queer New York. Elon Green. Celadon Books; 2021. 

This excellent book looks at a horrifying series of murders of gay men in the 1990's and unfolds almost like a suspense-thriller as the author delves into the lives of the victims, and finally the killer, a male nurse who lived on Staten Island. Although apparently not gay, Green did enough research and interviews to get a sense of the gay bar scene at the time, and views all of the murdered men with compassion; they are not simply dismissed as can happen in other true-crime volumes. Green also looks at the many people investigating the crimes, the extreme homophobia of the period (especially due to AIDS), and the calls for a more intense look at the killings by such as the National Gay and Lesbian Task Force and Anti-Violence Project. As the killer refused to do interviews with Green, we are not able to fully understand this monster, but can such people ever be fully understood?

Back in the day I frequented such bars as the Townhouse and the 5 Oaks, where some of the victims were regulars, and one of these poor men was a bar acquaintance that I saw virtually every time I went into the Oaks. I remember coming back from Boston and seeing this man's photo, along with the words serial killer in the paper, and was shocked. At first I thought the article was naming him as a killer, but it was worse -- he was the victim. None of the men who were killed deserved their fates. But at least their murderer was put away for life.

In the book the author wonders why these series of terrible murders have been virtually forgotten. I think the answer is that there have, unfortunately, been so many other serial killers since then who have captured the public's imagination. That the victims were gay men may also have played a part. Plus all the other things that have happened since the period captured in the tome. When you read books like this you realize that all of those movies about mad psychotics slaughtering people are in incredibly bad taste.

Verdict: Outstanding true crime story. ***1/2. 

AMERICAN PREDATOR

AMERICAN PREDATOR. Maureen Callahan. Viking; 2019. 

While you've heard of Jeffrey Dahmer and Ted Bundy, you may not have heard of serial killer Israel Keyes, whose career was ended after he kidnapped a young woman from a coffee kiosk in Alaska before murdering her. After Keyes was caught, it developed that he had been responsible for other deaths and disappearances in previous years, including a middle-aged couple that he raped (both of them) and slaughtered. Author Callahan looks at the investigation into Keyes activities, focusing on how a prosecutor named Feldis insisted on doing the interviewing of Keyes even though this was a serious breach of professional conduct and that he was not very adept at it.

Two portraits of Israel Keyes

Callahan looks into the bisexual (as he described himself) Keyes' background, as well as into his bizarre early family life, which might have driven anyone crazy (not that his actions were in any way justified). Keyes had a relationship and a child with a woman named Tammie, then became engaged and lived with another woman who had no idea of what he was up to. He kept "kill kits" hidden in various places that he might use when the proper circumstances and victims presented themselves and he was in a sadistic mood. Callahan suggests that Keyes might have been allowed to kill himself in prison. 

Verdict: Horrifying story of one sick individual, but somehow this is not a classic true crime book and probably not the last word on Keyes. **1/2.