LOVE SLAVES OF THE AMAZONS

Don Taylor surrounded by green-painted Amazons

LOVE SLAVES OF THE AMAZONS (1957). Writer/Producer/Director: Curt Siodmak.

Dr. Crespi (Eduardo Ciannelli of Mysterious Dr. Satan) tries to convince Dr. Peter Masters (Don Taylor) that he not only knows where there are a race of women living near the Amazon, but that they guard a fabulous treasure that is theirs for the taking. The two men set sail but are beset by Fernando (Wilson Viana), who takes over the ship. Fleeing into the jungle, Peter just happens to run into the Amazon women, and is taken to their camp. Many of the women, including the queen (Ana Maria Nabuco), take a liking to Peter, and hope to use him as replacement for Mario (Tom Payne) who has sort of been forced into stud service. Along with Mario, Gina (Gianna Segale) is being held captive by the Amazons. Peter hopes to charm the queen and the others until he can figure out a way to escape ...

Eduardo Ciannelli and Don Taylor

Filmed in Brazil, Love Slaves of the Amazon doesn't quite deliver what the title promises, although it tries. In one scene a dozen or more amazons force Peter into a bathtub with his pants on. The music, contributed by no less than six composers (probably lifted from earlier films), does most of the work, although the performances are generally good. Crespi and Peter are determined to protect the secret of this lost civilization even though the amazons keep people captive and slaughter all male babies at birth! Who cares if modern society destroys these monsters? Siodmak also directed The Magnetic Monster. 

Verdict: Not one of Siodmak's better movies despite moments of interest. **1/4. 

THE PRIMEVALS

The Yeti on the rampage!

THE PRIMEVALS (1994/2023). Director: David Allen. 

A team which includes Matt Connor (Richard Joseph Paul), guide Siku (Tai Thai), and Dr. Claire Collier (Juliet Mills) goes to the Himalayas to see if they can catch a living yeti (or abominable snowman) after a dead one is exhibited on a college campus. They eventually find themselves in a lush hidden valley where there is not only an alien spaceship, but a race of lizard men who try to pit intruders against the yeti in an arena. The yeti, who is the size of King Kong, seems to be controlled by the nasty lizards ... 

Juliet Mills and Richard Joseph Paul

Most of The Primevals was actually shot in 1994 but not completed for decades. The director, a stop-motion specialist named David Allen, died in 1999 and the rest of the animated footage was done years later. The problem with the movie is that despite all of the fantastic elements, it has no real atmosphere and comes off like a cheap made-for-cable production. The FX work is good, however, the performances are more than adequate, and Richard Band's musical score is a plus. 

Verdict: For fans of stop-motion animation who have always wanted to see this film. **1/2.

HYSTERIA

HYSTERIA (1965). Director: Freddie Francis.

One of Jimmy Sangster's worst scripts is the main problem of this silly pseudo-thriller in which an American (Robert Webber) traveling from France to England winds up losing his memory in an auto crash. The dead driver's widow, Denise (Lelia Goldoni), arranges for his treatment in a clinic and for him to stay in her luxury apartment. Trying to summon up comparisons with Psycho, there's some business with a bloodied knife and then a corpse being found in or near a shower stall with the water running and so on -- but this is no Psycho and doesn't even come close. The film never works up more than the mildest of suspense as it tries to make you wonder who Webber really is and how he fits in with Denise, the dead body, and Dr. Keller (Anthony Newlands), the doctor who's been treating him. Jennifer Jayne from The Crawling Eye plays Gina, a nurse and romantic interest. A riot of loose ends and stupid contrived murder "plots," Hysteria is simply tedious and terrible and never makes much sense. Goldoni had a better role in Theatre of Death a couple of years later. Sue Lloyd of Corruption briefly plays a zesty French hooker. Dan Banks' jazzy score is pretty bad.

Verdict: Unmemorable British thriller. *1/2. 

THE MAD EXECUTIONERS

The sinister court convenes

THE MAD EXECUTIONERS (aka Der Henker von London/1963). Director: Edwin Zbonek. Colorized.

In London a secret court convenes periodically, kidnaps people who have gotten away with assorted crimes, and pronounces a sentence of death -- with hanging corpses discovered in the morning. The same rope is used each time and continues to disappear from police HQ no matter what precautions are taken! Inspector John Hillier (Hansjorg Felmy) is determined to uncover the identity of the leader of this court. He is equally desperate to find out who murdered his sister, one of the victims of a sex maniac targeting young women who rapes and beheads them. One of the suspects in the former case is a retired judge, Sir Francis Elliott (Rudolf Forster), which is awkward as he is the father of Hillier's girlfriend, Ann (Maria Perschy of The Castle of Fu Manchu). Ann sets out to find the killer of Hillier's sister, and runs into a man named Dr. Ferguson (Dieter Borsche) ...

Felmy and Wolfgang Preiss

The Mad Executioners is based on the story "White Carpet" by Bryan Edgar Wallace, the son of Edgar Wallace, who clearly followed in his father's footsteps. The movie has a lot of rich atmosphere, although at times it becomes confusing, especially as it pertains to Ann's father. When the head of the tribunal is unmasked, we remember this same character watching the court from a distance (there may well be an explanation for his anomaly, but the audience never learns it). Wolfgang Preiss [Die Slowly, You'll Enjoy It More] plays another inspector and Felmy's boss. Chris Howland plays reporter Tom Jenkins, who is a master of disguise and lends a hand to the inspector. (It is a mercy that Eddi Arent wasn't given this role!)

Verdict: Two puzzles for the price of one. ***. 

BORN TO BE BAD

Joan Fontaine and Robert Ryan

BORN TO BE BAD (1950). Director: Nicholas Ray. Colorized. 

As a child Christabel (Joan Fontaine of Voyage to the Bottom of the Sea) was sent to live with her maiden aunt (Virginia Farmer) -- a woman of modest means -- instead of with her wealthy uncle, so she has grown up wanting what others have. This includes Curtis (Zachary Scott), the rich fiance of her uncle's secretary, Donna (Joan Leslie),  with whom she moves in to work her wiles. Christabel, who seems sweet, shy and innocent, sets her cap for Curtis, subtly dissuading him away from "mercenary" Donna, but also can't keep her hands off the more virile author, Nick (Robert Ryan), who also falls under her spell. One of these men she will snare and bring to the altar, but that won't stop her from wanting the other man as well ... 

Zachary Scott and Joan Leslie

With Born to be Bad, Fontaine enters Bette Davis-Joan Crawford territory, but as she plays a character who employs a more sinister, shady technique instead of sharp, vitriolic bombast, she may seem less vivid than those other actresses. But Fontaine is nevertheless excellent in the role, and her almost constant smiling -- no matter what she's saying or thinking -- makes her seem like the most hideous of sociopaths. The other cast members are all top-notch, and this includes Mel Ferrer as painter and observer Gobby, who is both amused and appalled by Christabel and makes funny and sardonic comments. The trouble with this very entertaining soap opera is that the wind-up is rather flat. This movie was spoofed on The Carol Burnett Show as "Raised to Be Rotten!"

Verdict: Joan schemes, wins, and loses in grand style. ***