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Showing posts with label Robert Powell. Show all posts
Showing posts with label Robert Powell. Show all posts

Thursday, January 22, 2026

THE SURVIVOR

Peter Sumner and Robert Powell

THE SURVIVOR (1981). Director: David Hemmings.  

A pilot named Keller (Robert Powell of Asylum) is the only survivor of a devastating airline disaster that kills over 300 people. As Keller tries to find out what the investigators know about what caused the tragedy, he is contacted by a lady psychic named Hobbs (Jenny Agutter of Child's Play 2), who claims he is the only one who can help the souls of the dead passengers find peace. Keller also asks for the help of a priest (Joseph Cotten). Meanwhile there are odd incidents in the town near the airfield where the remains of the plane are scattered. Eventually Keller will have a confrontation with the man responsible for the crash and the deaths of so many innocent people.

Powell with Jenny Agutter
The Survivor is based on an excellent, pulpy horror novel by prolific British author James Herbert. David Ambrose's screenplay throws out most of the book aside from the basic premise. In the novel Keller was the co-pilot, his girlfriend was a stewardess on the plane, and he had a one-night-stand with the pilot's wife, which he fears might have led to something bad happening on the plane before the crash. There is a lot of suspense worked up over who might have destroyed the plane, suspense that is entirely lacking in the film adaptation. Hobbs is not a young female in the novel but a middle-aged man. Most of the horrifying incidents that Herbert describes so well in the book are completely scrapped in the screenplay. The neo-Nazi who was on the plane in the novel and influences some of the passengers to do evil is abandoned. Even director Hemmings -- one of the actor's few directorial assignments -- felt it was a mistake to go for subtle tension instead of the out and out horror of Herbert's book. Reportedly Herbert claimed the film put him to sleep.

Powell with Joseph Cotten
No wonder. Because The Survivor is confusing and slow, and poorly directed with few exceptions. There is a disquieting scene on railroad tracks where a photographer who made a killing taking photos of the accident encounters the ghost of a dead little girl, and there is a well-staged finale where the perpetrator is revealed. But otherwise, The Survivor is a major disappointment. Powell acts throughout the film as if he's merely perturbed, Agutter seems confused, and the audience gets bored long before the conclusion. Joseph Cotten is completely wasted.

Verdict: Read the book instead. **.

Thursday, September 10, 2020

ASYLUM

Robert Powell 
ASYLUM (1972). Director: Roy Ward Baker. Screenplay by Robert Bloch.

Dr. Martin (Robert Powell) arrives at the Dunsmoor Asylum to be interviewed for a job by Dr. Starr. Martin is told by Starr's assistant, Rutherford (Patrick Magee), that Starr has gone crazy and is now one of the institution's patients! Rutherford tells Martin that he can have the job if he is able to tell which of the inmates he's going to see is actually Dr. Starr. The patients then tell Martin their rather horrific stories as he tries to figure out who's who.

Richard Todd wants his wife to "rest in pieces!"
The first story, an EC Comics pastiche, has a man (Richard Todd) taking an ax to his wife (Sylvia Sims) so that he can be with his mistress (Barbara Parkins). Unfortunately for both of them, the wife's pieces, wrapped in paper, come alive to get revenge upon them. In the second and arguably best story a financially-desperate tailor (Barry Morse) accepts a commission from a strange man (Peter Cushing of The Beast Must Die) who wants him to make a special suit -- but he can only work on it at certain hours. 

Charlotte Rampling and Britt Eklund
The third story is a fairly obvious split-personality tale of a sick woman (Charlotte Rampling) and her best friend (Britt Eklund) and murders that ensue. The final story has an inmate (Herbert Lom) putting his soul into a tiny robot-like replica of itself, a murderous "doll" that has realistic internal organs and blood inside of it. Despite some lame aspects -- and its lack of real scares -- Asylum is probably the best horror anthology put together by Amicus Studios. The film is well-acted, fast-paced, and extremely entertaining. Barry Morse [No Trace], who is marvelous as the tailor, certainly shows off his  versatility in this.

Verdict: Lots of fun! ***.