JAMES BOND AND THE SIXTIES SPY CRAZE

 JAMES BOND AND THE SIXTIES SPY CRAZE. Thom Shubilla. Applause; 2024. 

Author Shubilla presents a no-frills history of spy movies  of the 1960s, beginning with 007, with chapters on Bond, other American agents such as Matt Helm and Derek Flint, spy movies that were not part of a series such as Agent for H.A.R.M., British spy films, eurospy films, Mexican spy films, and finally, TV shows dealing with secret agents, including Man from UNCLE and Mission: Impossible. This is essentially a just-the-facts kind of book -- the only critical notes come from snippets of contemporary reviews -- and it really doesn't say too much about the TV series. There is much more info on some of the individual films. Whatever its flaws the book is a fun read, and one can take notes on unseen movies that the reader may want to investigate. Shubilla only covers a small percentage of the incredible number of eurospy features, which could take up an entire book of its own. An annoying aspect of the book is that instead of using footnotes Shubilla lists his sources right in the text in a very weird fashion, almost as if this were a term paper (which it might have been)! 

Verdict: Entertaining if imperfect look at spy movies of the sixties. **3/4. 

WITH A MIND TO KILL

 WITH A MIND TO KILL. A James Bond Novel. Anthony Horowitz. 2022; Harper. 

This novel takes place directly after Ian Fleming's excellent final 007 adventure, The Man with the Golden Gun. In that story an amnesiac Bond had been captured by Russians, brainwashed, and sent to kill M, a plot which fortunately fails. Bond was then deprogrammed, and sent into action against assassin Scaramanga -- he proves that he still has the right stuff when he succeeds in his mission. So now M decides on a daring plan -- he will be supposedly assassinated by Bond, who will return to Russia as a fugitive, still brainwashed -- (or so it is hoped that the Russians will believe) -- to find out what's up with a new organization, Stalnaya Ruka (Steel Hand)  that is planning some deadly offensive action. 

Right away Bond falls under suspicion from Colonel Boris, the master of mind control. He also has to convince Boris' beautiful colleague, Katya Leonova -- another person who supervised his brainwashing -- that he is still under their influence. Bond has very mixed emotions about Katya, hating her for her part in what was done to him, but also feeling an undeniable attraction toward her, and coming to feel that she had no choice but to do what she did to him. She is a fascinating character.

Although Bond privately refers to the bullet wound given to him during his adventure with Scaramanga, it is somewhat improbable that M wouldn't have had this taken care of, as it indicates that Bond was somewhere where he shouldn't have been during those months he was supposedly in England. it is even more improbable that none of the Russians notice this wound and wonder or ask about it. 

As the novel progresses the suspense increases as Bond has to pass certain tests, including the elimination of a certain agent in the (architecturally-stunning) Komsomolskaya subway station. As Bond and Katya grow closer he wonders if he can truly trust her. Then Bond is given an assignment to assassinate a certain party in East Berlin at the state opera. Even if he's successful in his mission, will he be able to get out of East Berlin? 

Verdict: Despite some moments that might give the reader pause, this is an exciting and memorable Bond adventure. ***. 

FOREVER AND A DAY

FOREVER AND A DAY. A James Bond Novel. Anthony Horowitz. Harper; 2018. 

Horowitz' second 007 novel after Trigger Mortis is a prequel that takes place before the events of Ian Fleming's first Bond adventure, Casino Royale, post-WW2. The original 007 is killed while investigating Corsican mobsters who have for some reason seemed to have left behind the highly profitable heroin trade -- but what are they up to now, M wonders. James Bond is given the License to Kill and asks to take the 007 number as a homage to the late operative, and continues the dead man's investigation in Marseilles. There he encounters CIA agent Reade Griffith as well as a beautiful older lady, an adventuress, named Sixtine, whose back story is fascinating. Sixtine not only teams up with Bond, but in some retrograde continuity that some readers may choose to reject, she's in part responsible for his taste in martinis and his bedmanship abilities. 

There are two main villains in Forever and a Day: Jean-Paul Scipio and Irwin Wolfe. The former is a monstrously corpulent mobster who threatens Bond's face with an acid bath although he doesn't really want to wreck his good looks. (Bond is confused over this even though a report on Scipio suggests that he's homosexual, making 007 seem not only unsophisticated but a bit dumb). Irwin Wolfe is an American billionaire who makes film stock and is bitter over the deaths of his two sons in WW2. The two have cooked up a scheme on Wolfe's huge new ocean liner that threatens society. Against all odds, the captured Bond and Sixtine do their level best to sink the liner and its cargo. 

For most of its length Forever and a Day is suspenseful and entertaining, although your eyebrows may rise over certain actions and attitudes of Bond, especially during the post script. Making Scipio gay seems more regressive than anything else, and his plans for 007 -- to turn him into a heroin addict who will become compliant in everything Scipio wants so the agent can get his fix -- is in questionable taste. Despite some very good scenes, Forever and a Day is a step backward from Trigger Mortis. 

Verdict: Bond fans do not have to consider this adventure canon. **3/4. 

SCORPIUS

SCORPIUS. John Gardner. Putnam's; 1988.

Absolutely one of Gardner's best 007 efforts, and one of the most entertaining and chilling Bond novels ever written. Bond takes on a malevolent cult leader named Father Valentine, who turns out to be none other than loathsome arms dealer Vladimir Scorpius, who has switched from selling mechanical weapons to marketing the services of his brainwashed cult members, The Society of the Meek Ones, as human bombs. A campaign of terror reigns in England as these human bombs blow themselves up at public gatherings, taking many public officials and innocent spectators and police officers with them. Father Valentine has also issued a smart card, a credit card, Avante Carte, to his members, and it also has menacing possibilities. Bond joins forces with Harriett Horner, an American IRS agent, and a military man named Pearlman whose daughter is a member of the cult. But Bond isn't certain that either can be trusted, as someone seems to know his every move... It all winds up on Hilton Head Island, off South Carolina, where Valentine/Scorpius has his headquarters, and Bond tries a thrilling escape through a nest of hundreds of scorpions, and a run across a beach occupied by dozens of deadly snakes whose one bite means near-instantaneous death. The thrilling climax has Bond desperately trying to prevent a final attack on both the Prime Minister and the President.

Scorpius is prime Bond. It pulls the reader along from the first paragraph and never lets go. The supporting cast is more interesting and dimensional than usual, and more than one of the characters comes to a moving fate. The novel also taps into contemporary fears of cults and terrorists and human bombs, who have become all too common in the real world. As an in-joke, Gardner has Bond watch The Untouchables on an airplane in which “a favorite actor of his” played a Chicago cop. (The role was essayed, of course, by Sean Connery.) Possibly expressing his own feelings about the death penalty Gardner has Bond, improbably, make the comment that “I don't believe this eye-for-an-eye business... I've been in the game too long, and there's something particularly vile about snuffing out life if there's another way.” Not so improbably, Bond forgets all of this stuff and deliberately engineers the death of the truly miserable villain at the end. (Bond would try not to take a life if he could help it – he was certainly never as casual about death as the movie 007 is -- but he would take pleasure in snuffing out certain despicable and merciless parties if it came to it.)

Verdict: Despite some suspect or illogical moments, Scorpius is the real deal.***1/2.

NEVER SEND FLOWERS: JAMES BOND

NEVER SEND FLOWERS. John Gardner. Putman's/Berkley/1993. 

This James Bond adventure was promoted as "007 hunts a serial killer!", serial killers being very much in vogue at the time in popular fiction. While the ultimate villain in this -- a deranged actor named David Dragonpol -- does kill several people, the only real "serial killer," a murdered woman's brother, is out of the picture when the story begins. Bond meets and works with a Swiss agent named Flicka von Grusse, whom he eventually develops deep feelings for. Dragonpol has built a museum inside his mansion which recreates different periods in history via the use of holograms and animatronics, so it's no wonder that his ultimate goal is to kill Princess Diana and her boys when they take a trip to EuroDisney in Paris. 

Although most of Gardner's Bond novels seem well-thought out and well-constructed, this time Gardner seems to have written the book on the cuff, with little pre-planning, giving the whole thing a haphazard and perfunctory feel. It is the weirdest James Bond novel ever written, culminating in an utterly ridiculous scene when Bond fails to spot Dragonpol at a key moment, making 007 seem incompetent.  Never Send Flowers is still entertaining and has some suspenseful moments, but if you want to sample Gardner's Bond, this is not the novel to start with. Read License Renewed instead. 

Verdict: 007 treading water. **1/2. 

JAMES BOND: LICENSE RENEWED

LICENSE RENEWED. John Gardner. 1981.

After the debacle of Colonel Sun by Kinsley Amis -- the first 007 novel since the death of creator Ian Fleming -- James Bond was reintroduced and reinvigorated by John Gardner in this excellent thriller which began a whole new series of Bond novels by Gardner. In this adventure Bond is up against the potent combination of Anton Murik -- a nutty physicist who is outraged that the world has rejected his new ideas for nuclear plants as “unsafe” -- and Franco, one of the world's most dangerous terrorists. To gain money to build his devices and prove the scientific community wrong, Murik, with Franco's aid, comes up with a scheme to take over several nuclear power plants and cause simultaneous melt-downs unless a massive ransom is paid. Of course, he has no intention of letting Franco keep his share of the money, and hires Bond, whom he thinks is a mercenary, to assassinate the terrorist. Then there are the two women in Murik's life: his niece Lavender Peacock, who seems to be on the side of the angels; and his girlfriend Mary Anne Mashkin, who appears not only to be Murik's partner in business but in other ways as well. Murik is the Scottish Laird of Murcaldy, although he may not have the right to the title. (In On Her Majesty's Secret Service, Ernst Stavro Blofeld also pretended to be something he was not.)

The climax takes place on a giant starlifter aircraft in which Bond has a chilling fight to the death with Murik's lieutenant Caber, and there are exciting sequences at festivities in Perpignan in the French Pyrenees (including a fashion show in which Lavender is a model). Murik almost approaches the level of a classic Bond villain, although Franco is not developed nearly as well.

Verdict: Suspenseful, well-paced, and well-written, overall this is a Damned Good Show! ***1/2.