CAPTAIN AMERICA

Dick Purcell as Captain America

CAPTAIN AMERICA (15-chapter Republic serial/1944). Directors: Elmer Clifton and John English. Colorized version. 

Dr. Maldor (Lionel Atwill of Lady in the Death House) is royally pissed. All he got out of a trip to some Mayan ruins with several associates is a lowly position at the Drummond Museum of Arts and Sciences. Maldor is not about to take this slight lying down, so he uses a drug called the purple death to force the other men to commit suicide and calls himself the Scarab.  And that's just for starters. Maldor has other nefarious plans in mind and has to continually keep dealing with District Attorney Grant Gardner (Dick Purcell of X Marks the Spot) and his alter ego Captain America, who is out to stop him whatever it takes. Maldor uses a "dynamic vibrator" to make an entire building collapse in chapter one, and then uses a stolen "electronic firebolt" to rob banks and the like. He even gets involved with a professor who can bring dead animals and even people back to life. Grant/Cap has a take no prisoners attitude, and it seems as if every other chapter one of Maldor's gunsels is being thrown to his death from a great height. 

Atwill, Gray, Pucell

Captain America is one of the very best Republic serials, with a constant stream of riotous action, fabulous fisticuffs, and some great cliffhangers, including the aforementioned collapsing building, a crushing tractor on a direct path to Cap's prone body, a guillotine that nearly beheads Grant's plucky associate Gail (Lorna Gray), and an ore car that is dropped down a shaft on top of our semi-conscious hero. In one scene Atwill whips John Hamilton when he won't talk, and puts Gail in a case where he intends to employ "mummifying" gas to turn her into a desiccated prune. Gail thinks of a clever way to trap Maldor, making up the name of a doctor which is the Scarab's real name spelt backwards. Purcell and Gray are suitably heroic, but Atwill walks off with the movie with his smooth, amused, and highly sinister turn as the utterly evil and sociopathic Maldor. John Davidson and George J. Lewis are Maldor's primary henchmen, and Jay Novello has a neat scene as a gunsel who comes to a bad end. Mort Glickman's score also works overtime to keep the excitement level up. Gray and Lewis  also appeared together in Federal Operator 99. NOTE: Even though the serial's hero has a different secret identity than in the comic books, this is the very first Marvel Comics movie adaptation.

Verdict: Lots of thrilling fun. ***1/4. 

X MARKS THE SPOT

Damian O'Flynn

X MARKS THE SPOT (1942). Director: George Sherman. 

Eddie Delaney (Damian O'Flynn of The Hidden City) is a private eye who is about to go into the Army. His father, Timothy (Robert Homans), is a beat cop who is shot to death when he confronts some suspicious characters at a warehouse. Eddie is determined to find out who murdered his dad, but he is warned by Police Lt. Bill Decker (Dick Purcell) that he can't become a vigilante no matter how he feels. When a suspect named Marty Clark (Jack La Rue) is shot and killed in his own nightclub, Bill arrests Eddie for the crime. In tried and true PI fashion, Eddie slugs Bill and takes off to solve the crime on his own. He has help from his "dream gal," Linda (Helen Parrish), a woman whose voice he has only heard when he asks for a song on the jukebox but who got involved in the murder when someone asked her to say there was a black-out and she tells everyone to turn out the lights. 

Helen Parrish and Damian O'Flynn

X Marks the Spot is a standard WW2 private eye melodrama that doesn't boast too many surprises. Not as rugged as other private dicks, O'Flynn still makes a reasonably appealing protagonist, and Dick Purcell is also good as the head cop on the case. Helen Parrish is acceptable as Linda but there are more interesting females in the movie, such as Lulu (Anne Jeffreys), who dallies with Marty, and Billie (Edna Harris), Linda's amusing older co-worker. The only other well-known cast member in the movie is Neil Hamilton, who plays a man who hires Eddie to find out who stole two empty trucks that belonged to his company.

O'Flynn with Dick Purcell

The motive behind everything may seem strange today but we have to remember that during WW2 rubber was a hot commodity. This is another movie that takes advantage of the fact that decades before the jukeboxes with which we are familiar, people in clubs could get tunes by calling up an exchange wherein the "d.j" would play records at a central location and pipe them out to different establishments (or something like that; it's a bit confusing, frankly). George Sherman also directed The Lady and the Monster. 

Verdict: Acceptable PI meller. **1/2.