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Showing posts with label Dinah Sheridan. Show all posts
Showing posts with label Dinah Sheridan. Show all posts

Thursday, May 28, 2026

BLACKOUT (1950)

Maxwell Reed and Dinah Sheridan

BLACKOUT (1950). Director: Robert S. Baker.

Chris Pelley (Maxwell Reed of Shadow of Fear) lost his sight in an accident but is scheduled to have an operation that will restore it. Before that he goes to an appointment and discovers that he has entered the wrong flat and  even stumbled over a dead body. The body disappears and nobody believes him. After a successful surgery, Chris returns to the flat and encounters Pat Dale (Dinah Sheridan of No Trace) and her grumpy father (Kynaston Reeves of Fiend without a Face), who has been out of sorts ever since his son died in a plane crash. Attracted to one another, Chris and Pat begin their own investigation into whoever the dead man was as well as whosoever killed him. Because of this both of them not only find themselves in danger but discover that sometimes dead men walk again ...

Chris is in a bit of a pickle -- Michael Evans on the far left
Blackout has superior photography and scoring, and all told is not badly done, and well-acted as well. But somehow it just never catches fire and comes off as a decent but distinctly minor crime drama. Maxwell Reed, who I have seen in many working class roles, this time plays a dapper, urbane type and is as good as ever. Dinah Sheridan is a bit bland but okay. Annette D. Simmonds offers more spice as a gal who is in with the bad guys but tries to help Chris to her regret. Patric Doonan is Chalky, an old pal of Pat's brother who may know more than he's telling, and Michael Evans (of The Young and the Restless) is effective as Guy Sinclair, who is mixed up in the thick of things. An eerie house that figures in the story looks like something out of Psycho. Robert S. Baker also (co-) directed the much more interesting Jack the Ripper. Maxwell Reed married Joan Collins two years after this film but their marriage only lasted four or so years. 

Verdict: Acceptable suspense story with some good settings and performances. **1/2. 

Thursday, January 16, 2020

NO TRACE

Hugh Sinclair
NO TRACE (1950). Director: John Gilling. 

Robert Southley (Hugh Sinclair) is a best-selling mystery writer, radio host, and former actor. Patronizing and chauvinistic, he has a secretary, Linda (Dinah Sheridan), who puts up with him probably because she's in love with him. Inspector MacDougall (John Laurie) doesn't think much of Southley's crime novels, and thinks he should learn more about police procedure. This opportunity presents itself when Southley murders a blackmailer (Michael Brennan), and MacDougall invites him to tag along on their investigation. Southley finds himself in a bit of a sticky wicket, and now Linda is beginning to have suspicions herself ...

No Trace is an entertaining and well-acted British suspense film -- Laurie is especially good in this -- and other cast members include Dora Bryan as the dead-common Maisie, who lives in the same boarding house as the victim, and Barry Morse as Sgt Harrison, who is an assistant to MacDougall and is also sweet on Linda. 13 years later Morse became famous as the policeman hunting David Janssen on the long-running TV series, The Fugitive. You would never have known that Morse was actually an Englishman who emigrated to Canada and eventually got many American roles; he amassed about 150 TV and film credits, and that's not even counting his numerous stage credits. 

Verdict: The acting, a fast-pace, and interesting situations put this over. ***.