TORMENTED

Richard Carlson and Lugene Sanders

TORMENTED (1960). Director: Bert I. Gordon. Colorized.  

Artist Tom Stewart (Richard Carlson) wants to marry into a wealthy family and has gotten engaged to Meg Hubbard (Lugene Sanders). But what to do about his girlfriend, Vi (Juli Reding of Why Must I Die?), who objects to his plans and tries to blackmail him? Fortunately for him the railing gives way on the balcony outside of an abandoned lighthouse where they have secret rendezvous, and Vi finds herself falling to the rocks below. Tom could have reached out and saved her, but chooses not to. Soon Tom is seeing images of the dead woman and hearing her voice everywhere he goes. Her ghost is determined to keep him from going through with the wedding plans ... 

Carlson at the lighthouse

Bert Gordon didn't just direct movies about big people and creatures, but also helmed a few thrillers of varying types. While the premise may not be terribly original, Tormented has a good plot, more than decent performances -- Carlson is especially good -- and is quite entertaining. One especially good sequence has Carlson's blind landlady (Lillian Adams) trying to communicate with the ghost -- which she definitely believes in -- in the aforementioned spooky lighthouse. A bit with the ghost's disembodied head showing up isn't quite as effective. This was the last credit (of four) for Hubbard, who is not classically beautiful but is nevertheless appealing and talented. Susan Gordon, who plays her younger sister, was the director's daughter, and is fine. Another notable cast member is Joe Turkel, who plays a sleazy blackmailer. As usual, the contributions of composer Albert Glasser and cinematographer Ernest Laszlo are not to be discounted. 

Verdict: No giant monsters but the flick is still fun. ***. 

EARTH VS. THE SPIDER

EARTH VS. THE SPIDER (aka The Spider/1958). Director: Bert I. Gordon. Colorized. 

For inexplicable reasons a gargantuan bird spider which has been snacking on luckless spelunkers decides to come out of its cave and kill the father of high school student Carol Flynn (June Kenney). Science teacher Art Kingman (Ed Kemmer) instructs the authorities, including laconic Sheriff Cagle (Gene Roth), to fill the cavern with gas. Thinking the huge arachnid is dead, the group takes the creature to the high school, where it  is put on display and wakes up during band practice! As it goes on a rampage, Carol and her boyfriend Mike (Eugene Persson) go into the cave to see if they can find a gift that Carol's late father bought for her birthday. Naturally the monster comes back. Now it's a question if the teens, lost in the cave, will die of starvation or become instant bug food! 

There's something oddly likable about The Spider, Bert I. Gordon's imitation of the superior Tarantula, although one could certainly point to plenty of dumb moments and glaring imperfections. The movie could have been a nail-biter but never achieves that level of tension. The cast generally plays it straight, which always helps, and June Kenney is rather good as Carol. Still the actors have to take a back seat to that spider. Its rampage is quite limited, and the last quarter of the film is a bit on the slower side, but the flick is still entertaining if you like creature features. The color, as usual, adds a new dimension. Albert Glasser's score is effective as well. 

Verdict: A fun big bug movie. **3/4.

GIANT FROM THE UNKNOWN

GIANT FROM THE UNKNOWN (1958). Director: Richard Cunha.

Many monster movie fans will be disappointed to know that the “giant” in this movie is not of Bert I. Gordon proportions like The Cyclops or Amazing Colossal Man but is only a very tall, bear-like actor named Buddy Baer. Baer plays a nasty Spanish conquistador who has been in suspended animation for 500 years, but has come back to life to attack people and livestock in the vicinity of Devil's Crag. This conquistador, Vargas by name, was known as “the Diablo Giant” due to his size. Ed Kemmer [of Earth vs. The Spider infamy] plays Wayne Brooks, who hooks up with an archaeologist named Cleveland (Morris Ankrum of Earth vs the Flying Saucers) and his not-terribly-scientific daughter Janet (Sally Fraser, who appeared in War of the Colossal Beast and other genre films). Fraser is better in this picture than in others, and she and Kemmer play a nice, charming love scene together. 

While it's become obligatory to snicker at Giant from the Unknown, the fact is that it's not such a bad movie at all. It is fast-paced, professional, continually suspenseful, and not badly directed by Cunha, who handles several sequences quite adroitly. The film is also very well edited. Albert

Sally Fraser and Buddy Baer

Glasser's score, as usual, adds a lot to the picture as well. There has been some confusion over a scene when it appears that Vargas revives during a lightning storm even though people and animals have already been attacked earlier in the picture. It's possible that in this scene Vargas is merely awakening after sleeping for awhile, and that he covered himself in leaves and the like so that he wouldn't be attacked while asleep. Unfortunately the dialogue refers to the lightning as a source of resuscitation, further muddying the waters. (Maybe it was the continuity person who was asleep.)

Verdict: Some giants are bigger than others. ***. 

COP HATER

Partners: Robert Loggia; Gerald S. O'Loughlin

COP HATER (1958). Director: William Berke.

Detective Steve Carelli (Robert Loggia) and his partner, Mike (Gerald O'Loughlin), look for a man who has been gunning down cops at the rate of one a day. Steve has a deaf-mute girlfriend,  Teddy (Ellen Parker), and Mike has a wife named Alice (Shirley Ballard). In between having drinks, fooling around with the ladies in their lives, and occasionally talking to suspects, the two detectives -- who always seem tired even though they actually do very little -- eventually uncover a suspect or two. But will they ever find the right guy?

Russell Hardie and Jerry Orbach

Cop Hater is based on a novel by Ed McBain of the well-known 87th Precinct series. These books feature Detective Steve Carella, although the film changes his name to Carelli. The movie is a misfire on virtually every level. For one thing, considering the fact that cops are being killed, the movie has absolutely no urgency or pacing at all. As noted, Carelli and Mike don't seem to do very much actual detective work, and nobody but their boss, Lt. Byrnes (Russell Hardie), seems to give a damn about much of anything. Loggia is only okay as Carelli, but O'Loughlin is quite good as his partner, Hardie is excellent as the Lieutenant, and a very young Jerry Orbach makes a decided impression in his one big scene as a young punk, leader of a boy gang that may be responsible for a murder. 

Other good bits are provided by Vincent Gardenia as Danny the Gimp, and Glenn Cannon as Rip, another member of the Grovers gang. As Mike's wife, Shirley Ballard proves no actress, although she somehow managed to amass 42 credits. Lincoln Kilpatrick, Lulu B. King, and Janet Manson, among others, are given some good moments. Albert Glasser's [Beginning of the End] score oddly gets melodramatic during what are supposed to be tender romantic scenes -- it's certainly not the composer's highwater mark. Agatha Christie's "ABC Murders" provides the basic premise for the murders themselves. The Mugger, also directed by William Berke, was another adaptation of an Ed McBain novel. 

Verdict: Lackadaisical treatment sinks this from the start. *1/2. 

BEGINNING OF THE END

giant locust attacks 

BEGINNING OF THE END (1957). Director: Bert I. Gordon. 

Ace lady reporter Audrey Aimes (Peggie Castle) is perplexed, to say the least, when she is told by the military that the whole town of Ludlow, Illinois has been cordoned off. Later she learns that every building in town has been completely demolished and all 500 inhabitants have disappeared. She encounters entomologist Dr. Ed Wainwright (Peter Graves of Death Car on the Freeway) who uses a small amount of radioactivity in his experimentation. Investigating a grain storage facility that was wrecked from the inside out, Wainwright's deaf-mute assistant Frank (Than Wyeen) is suddenly set upon and devoured (off-screen) by a humongous locust. Now Audrey knows what happened to those 500 missing people! 

Peter Graces and Peggie Castle

Aside from fans of "Mr. Big," Beginning of the End has been roundly excoriated, but I will gladly say that the movie has always given me the creeps, along with those scary giant grasshoppers (even if the cheap process work makes them look washed out). The picture has a solid script, a fast-pace, unnerving sound effects of the critters chirp-chirrrping before an attack, and a very effective score by Albert Glasser. Graves and Castle make convincing enough leads, with the female emerging as just as courageous as the male, if not more so. The well-constructed climax has the couple attracting the monsters to their building in downtown Chicago so that they can flick a switch that will, hopefully, send them out into the river so they can drown. But will they manage to survive long enough for that to happen?

locust and truck

One can certainly quibble about some of the cheap effects, but that doesn't stop the movie from being entertaining. The "battle" scenes between soldiers and locusts are well-done and often horrifying. For inexplicable reasons the official DVD of the film cuts a shot of a giant locust nearly catching up to a truck full of soldiers upon whom it would certainly pounce, so just to catch that nifty, chilling moment I watch an inferior TV print (see pic on the left). Some well-known character actors are in the cast, including James Seay, Thomas Browne Henry [20 Million Miles to Earth], Hank Patterson, and Morris Ankrum as the general in charge of the whole operation. Gordon also directed Earth vs the Spider and many others. 

NOTE: For more info on this film and many others like it see Creature Features: Nature Turned Nasty in the Movies. 

Verdict: Low-budget insect disaster film with disgusting and voracious monsters. ***.