THE BOOGEYMAN (2023)

Chris Messina

THE BOOGEYMAN (2023). Director: Rob Savage.

After the death of his wife, psychiatrist Will Harper (Chris Messina) is left to raise two daughters. Sadie (Sophie Thatcher) is a teenager and her little sister, Sawyer (Vivien Lyra Blair), is scared of the dark and of monsters under her bed. A strange man, Lester Billings (David Dastmalchian), comes to Will's house to seek help, and tells him that all of his children were killed by some strange creature, then commits suicide. Sawyer is convinced that now this same monster is hiding in their house, waiting until dark, and neither Sophie nor her father believe her ... at first. Sadie goes to talk to Billings' widow, Rita (Marin Ireland), and finds she is living in squalor, hoping she can destroy the thing that wiped out her family. But even when Sophie and Will realize Rita is telling the truth, they many have a very hard time getting rid of this ancient demon.

Sophie Thatcher with Messina

Based on a short story by Stephen King, The Boogeyman is slick and well-acted, has some decent FX work and a couple of scary sequences, but suffers from its sheer overfamiliarity. You just get the feeling you've seen the whole thing before -- there is absolutely nothing distinctive, original, nor unique about the movie. It's well-done for what it is, but it just doesn't amount to much. Chris Messina is very appealing as the father, however, and Thatcher and Blair are quite effective.  

CALTIKI, THE IMMORTAL MONSTER

Goddess Caltiki goes in pursuit

CALTIKI, THE IMMORTAL MONSTER (aka Caltiki, il mostro immortale/1959). Directors: Riccardo Freda; Mario Bava. Colorized. 

In Mexico an archeological expedition uncovers a tomb and an altar to the Mayan goddess Caltiki. While exploring an underground lake that contains many skeletons, the team are suddenly beset by a blob-like monster that rises to the surface and eats off the arm of Max Gunther (Gerard Herter). Team leader Prof Fielding (John Merivale) manages to stop the creature -- a huge unicellular organism that is twenty million years old -- with a fiery explosion and gets Max to a hospital in Mexico City. There Fielding is able to isolate a part of the creature surrounding Max's arm and brings it to the lab in his home where his wife Ellen (Did Sullivan) and child await. But poor Ellen finds herself beset with dual menaces: Caltiki, who begins to multiply and grow, and Max, who has become maddened by the infection, escapes from the hospital and tries to have his way with Ellen. 

Didi Sullivan, John Merivale, Gerard Herter

Caltiki is a highly interesting and influential Italian horror/sci fi film. An interesting aspect is that it tries to explain the disappearance of the Mayans by tying the appearance of the flesh-eating Caltiki to a radioactive comet that flies across the sky every few centuries, and is now endangering all of Mexico. The monster itself looks like a perambulating, expanding carpet but is still ghoulish in concept. The scenes in the underground tomb with its sinister lake are creepy and atmospheric, and the climax -- with Fielding and his family caught between one blob in the bedroom and another at the base of their escape ladder -- is exciting and suspenseful. The ending with the military and their flame throwers is a bit dragged out, but the film is generally absorbing. Caltiki is enough of a menace that throwing a crazy Max into the mix was actually unnecessary, particularly when you consider that the character is very badly dubbed. Caltiki has an international cast: Merivale was Canadian; Sullivan was Irish; and Herter was German. 

Verdict: Creepy stuff is even better in color. ***. 

LOVE HURTS (2022)

LOVE HURTS (aka Most Horrible Things/2022). Director: Hiroshi Katagiri. 

In this initially intriguing but ultimately unsatisfying alleged "thriller" a drag queen (Sean Sprawling) and his butler (Simon Phillips) invite a serial killer (Vincent van Hinte) to a gathering of people, both gay and straight, and wait to see what bloodiness will develop. Meanwhile in a series of flash -forwards, two detectives -- Denver (Natalie Burn) and Holden (Sean Patrick Flanery) -- interview the survivors and try to get to the bottom of everything. Good luck! There are humongous plot holes even when the true architect behind the scenes is revealed -- it's not really worth the wait. Sprawling's performance consists of attitudinizing that passes for acting; the others are a bit better, including Grant Pfost as Eric, who is humiliated by the drag host; Andres Erickson as Jason, who is taken to task for saying he is not that attracted to black men; and black Jeff (Rich Paul), who tells him that he is not at all his type anyway. Okay, there's some interesting dialogue and characters in this, but the screenplay is not at all well-developed, and you may find yourself groaning at the ending, which does not come as that big a surprise. Martina Vargas and Sarah J. Butler are the attractive ladies lost in this disappointing mess. This might have worked better as a genuine slasher flick. 

Verdict: Another bummer on Amazon Prime. **. 

COMIC BOOK ANIMATED MOVIES

Green Arrow, Bats, Nightwing, Flash, Red Robin

JLA ADVENTURES: TRAPPED IN TIME (2014). Director: Giancarlo Volpe. During a battle between the Justice League and his Legion of Doom, Lex Luthor is frozen in ice and doesn't thaw out for hundreds of years. Karate Kid, who wants to join the futuristic Legion of Super-Heroes along with fellow applicant Dawnstar, accidentally frees Luthor from the ice. Using the Time Trapper for his own ends, Luthor goes back in time and conspires to make certain the Justice League won't exist (although taking Superman out of the equation wouldn't necessarily accomplish that). Now that the JLA is no more, Karate Kid and Dawnstar work to set things right. Solomon Grundy, Bizarro, and especially Toyman are ridiculous characters in this. Still, the movie is colorful and entertaining, and the JLA's battle with the Time Trapper is exciting enough. **3/4.

BATMAN UNLIMITED: ANIMAL INSTINCTS (2015), Director: Butch Lukic. Batman and his allies Nighwing, Red Robin, Flash and Green Arrow go up against an "animalitia" that is run by the Penguin, employs deadly animal androids, and has such members as Cheetah, Killer Croc, Man-Bat, and the ape, Silverback. Penguin's ultimate plan is to draw an asteroid to Gotham, where the citizenry that mocked him will be killed, and he can get at the gold inside the asteroid's core. In this full-length animated feature's strange continuity, the Penguin seems not to have operated before and Bruce Wayne has never met Kirk Langstrom (Man-Bat). The animation is generally fluid, and there are some fine voice characterizations, especially by Laura Bailey as Cheetah, and Dana Snyder as the Penguin. Nightwing's initially obnoxious attitude towards Flash is never explained. The movie has exciting moments, but never quite becomes a contender. One ridiculous sequence has Flash, who has apparently not been in action all that long, taking forever to get himself out of a rope trap -- not very likely. **1/2. 

SUPERMAN: BRAINIAC ATTACKS (2006). Director: Curt Geda. In a full-length spin-off from the Superman cartoon show, the Man of Steel (Tim Daly) wants to tell Lois Lane (Dana Delaney) his big secret but also has to contend with two major villains. After Superman seemingly defeats the techno-biological creature Brainiac (Lance Henriksen), Lex Luthor (Powers Boothe) finds an important piece of him and rebuilds him under his control -- or so he thinks. Now Brainiac is more dangerous than ever. Meanwhile Jimmy Olsen has his hands full with Luthor's curvaceous and dangerous assistant, Mercy. Fluid animation and good direction makes this a good bet for younger viewers. Basically well-done if minor-league. **3/4. 

BATMAN: THE DOOM THAT CAME TO GOTHAM (2023). Directors: Christopher Berkeley; Sam Liu. 

In this animated movie based on an "Elseworlds" (stories told out of DC Universe continuity) graphic novel, Batman and concepts created by H. P. Lovecraft prove not to be a good fit, as logical Batman has never worked that well with the supernatural. The story, which has Bruce Wayne/Batman returning to Gotham after twenty years, begins in an Antarctic cavern and employs such characters as demonologist Jason Blood, Oliver Queen, Ra's Al Ghul and his daughter Talia (of the "Cult of Ghul"), Harvey Dent, Dick Grayson and the Penguin, among others, The only voice actor whose name I recognized was Jeffrey Combs as Kirk Langstrom, who in other stories is better-known as Man-Bat. The actors do a good job with the various characters, but ultimately this is not one of the more memorable DC animated movies. **. 

LEGION OF SUPER-HEROES (2023). Director: Jeff Wamester. Superman's older cousin Kara/Supergirl (Meg Donnelly) is also a survivor of Krypton but she arrives on earth years after Superman (Darren Criss) does and now appears younger. Not adjusting to life on 21st century Earth very well, Superman takes her to the 30th century, where she applies to the academy of the mostly teenage Legion of Super-Heroes. Things get off to a bad start when she mistakes Brainaic-5 (Harry Shum, Jr.), a descendant of the original Brainiac, for the real deal and attacks him, but it isn't too long before the couple are billing and cooing. Meanwhile most of the other Legion members are missing in action, and an ancient and sinister group called the Dark Circle is behind this -- and one of Superman's arch foes is behind them. Kara's colleagues in the academy include Triplicate Girl, Bouncing Boy, Mon-El, and the weird Arms-Fall-Off Boy, one of whom turns out to be a traitor. An interesting aspect has the original Brainiac showing up with the bodies of his other descendants grossly incorporated into his own physical structure. Legion of Super-Heroes is a fun and exciting animated movie. Flash Batman, and Solomon Grundy have cameos. ***. 

SHADOW OF FEAR

Jean Kent and Mona Freeman

SHADOW OF FEAR (aka Before I Wake/1955). Director: Albert S. Rogell. Colorized. 

April Haddon (Mona Freeman of Angel Face), who has been in the U.S. for several years, comes home when her stepmother, Florence (Jean Kent), notifies her that her father has died in an accident. April is very suspicious of Florence, especially when she tells her that her late mother, who was nursed by Florence, was supposedly a hopeless drunk, something April refuses to believe. She also uncovers incriminating evidence about the boat  accident in which her father died. April's old boyfriend,  Michael (Maxwell Reed), now a doctor, listens to April but is unconvinced that her stepmother, whom everyone loves, is the monster she portrays her as. April learns that the fortune her father left her will be in trust until she turns 21 in three weeks -- but April is convinced her stepmother plans to do away with her before the time is up. Florence was left the house and money but April fears that she wants it all ... 

Mona Freeman and Maxwell Reed

Shadow of Fear is a low-budget but absorbing British thriller with good performances, especially from Jean Kent as Florence, who keeps the audience guessing as to whatever her true character, motivations, or plans may be, sinister or otherwise. Mona Freeman is also excellent as the distraught daughter who finds her efforts to get justice for her parents continuously stymied. Marshall Reed was a British matinee idol who was once married to Joan Collins and he's stalwart enough as the good doctor who comes to April's aid after being initially dismissive. Supporting performances are all on target and the film is quite enjoyable. 

Verdict: Minor but entertaining suspense film with good performances. ***. 

ROADRACERS (1960)

Joel Lawrence

ROADRACERS (1960). Director: Arthur Swerdloff. 

Rob Wilson (Joel Lawrence) has a difficult relationship with his father, Harry (John Shay). Harry is obsessed with car racing and sort of forced his son into the sport. When a man dies during a race, Harry blames Rob, who takes off for Europe. Coming home he takes up racing again, but tells his father he hates it -- and him. He is also upset over his former girlfriend, Liz's (Marian Collier) relationship with a rival racer, Greg Morgan (Skip Ward). It doesn't help that Harry has decided to sponsor Greg instead of his own son.  Naturally the two drivers will have a grudge match at the American Grand Prix in Riverdale, California.  

Rivals: Joel Lawrence, Marian Collier, Skip Ward

Roadracers, a slick black and white flick from American International, has some good acting and a script that leaves many cliches of the genre intact: the rival drivers after the same girl; the conflict between a father and his son; the driver haunted by someone's death in a race etc. The script at least tries to flesh out the characters and the performances help, but the movie sort of strains for dramatic currency. The racing scenes are fairly exciting but they've been done better elsewhere. The good-looking lead, Joel Lawrence, is solid as Rob but mostly appeared on television after starring in this picture. Ditto for Skip Ward, although he also played Hank the driver in Night of the Iguana. Marion Collier sings the memorable "Here You Are" at one point but doesn't have much of a voice. However, she's much better than Jimmie Madden croaking out "Leadfoot" over the opening credits. Sally Fraser and Mason Alan Dinehart are also in the cast. 

Verdict: Standard race track meller with some decent acting. **1/2. 

MONSTER FROM GREEN HELL

monster threatens Jim Davis and Barbara Turner

MONSTER FROM GREEN HELL (1957). Director: Kenneth G. Crane. Colorized. 

When several rockets are sent into space by scientists Quent Brady (Jim Davis of Satan's Triangle) and Dan Morgan (Robert Griffin), one of them crashes on earth in equatorial Africa. This is followed by reports of monstrous creatures in the area. Quent theorizes that a wasp in one of the space capsules was battered with cosmic radiation for forty hours instead of forty seconds, and may have given birth to gargantuan mutations. After a long journey across the Dark Continent (courtesy of stock footage from Stanley and Livingstone) the two men come to an outpost run by Dr. Lorenz (Vladmir Sokoloff) and his daughter Lorna (Barbara Turner). When the former is found dead by his associate Arobi (Joel Fluellen), a group -- consisting of Quent, Dan, Lorna, Arobi and guide Mahri (Eduardo Ciannelli) -- set out to find the creatures and destroy them, which won't be an easy task.  

Big wasp on the rampage!

Monster from Green Hell is actually a fun and entertaining giant monster flick. The acting is perfectly swell, although I confess I've never been able to get a handle on the odd Barbara Turner. The monsters themselves are either full-scale props with dangerous stingers or are brought to life with credible stop-motion. A decided plus is the score by Albert Glasser, whose music always brings out excitement and suspense in the weird situations. The climax contains a cave-in after a scary run-in with a humongous wasp that temporarily traps the team in darkness. This is a well-done colorized version of the movie, which definitely adds a lot to the picture -- for one thing, the "Green Hell" region in the movie where the monsters dwell is actually green. A creepy scene has the wasps surrounding the gang's camp at night.

Verdict: You can't go wrong with big bugs -- in color!

THE BIG NIGHT (1960)

Randy Sparks

THE BIG NIGHT (1960). Director: Sidney Salkow. 

High school student Frankie (Randy Sparks) hangs out with a bad crowd but has a loving widowed father, Ed (Dick Foran), and a pretty girlfriend, Ellie (Venetia Stevenson). Frankie discovers a briefcase full of loot from a bank robbery in town and decides to keep it, although Ellie isn't so certain it's a good idea. Nevertheless, having this nice chunk of change inspires Frankie to turn his life around, and he gets a job and new clothing and even wins the approval of Ellie's mother (Anna Lee) and boss (Frank Ferguson). Unfortunately, an ex-cop named Wegg (Jesse White of Country Music Holiday) and a sinister figure named Farrow (Dick Contino of Daddy-O) are also after the money ,,, 

Venetia Stevenson and Randy Sparks 

The Big Night is a minor crime drama but it is bolstered by some very good performances, with an appealing Randy Sparks hitting all the right notes. Venetia Stevenson is a nice actress who also offers a sensitive turn as Ellie. Dick Foran makes the most of his role as the somewhat depressed and defeated Ed. Jesse White is Jesse White -- a totally bland portrayal -- but Dick Contino proves as effective as a murderer as he was as the hero in Daddy-O. Ferguson and Lee are fine, as is Paul Langton [The Hidden Eye] as the head cop on the case. There's a decent romantic score by Richard LaSalle and Jesse White is given a snappy and violent death scene. Randy Sparks was also a composer and the founder of the New Christy Minstrels. He had only a few acting credits. Sidney Salkow also directed Twice-Told Tales. 

Verdict: Some engaging players make this palatable. **3/4. 

JUSTICE SOCIETY WORLD WAR II

JUSTICE SOCIETY WORLD WAR II (2021). Director: Jeff Wamester. 

The Flash/Barry Allen (Matt Bomer) inadvertently jumps back in time to WW2 and discovers he is on a different earth where the Justice Society (as opposed to the Justice League) are fighting with the Allies against the Nazis. Barry meets the original Flash, Jay Garrick, as well as Wonder Woman, Black Canary, Hourman, Dr. Fate and Hawkman, who is killed. Reporter Clark Kent exists on this earth but at first he selfishly tries to stay out of the conflict. 

The Justice Society

The Justice Society tries to enlist the aid of Aquaman (Liam Mcintyre), King of the Seven Seas, but his mind has been taken over by a sinister Advisor (Geoffrey Arend) and he is now allied with the Axis. Meanwhile military man Steve Trevor keeps asking Wonder Woman to marry him at inappropriate moments (sort of what happened in the original WW comic books). This colorful animated feature gets better as it goes along and is especially exciting when the members of the JSA have to battle some slithering and absolutely humongous sea creatures summoned by Aquaman. The voice characterizations are all well-done, with particularly notable work from Geoffrey Arend. 

Verdict: Fun DCU cartoon feature for kids of all ages. ***.

DADDY-O

Sandra Giles and Dick Contino

DADDY-O (1958). Director: Lou Place. 

Trucker Phil Sandifer (Dick Contino) has an unfriendly encounter with Jana Ryan (Sandra Giles) on the highway. Later she meets up with him again in a club where he's asked to sing a number and later agrees to actually race Jana in Griffith Park. This results in Phil losing his driver's license, so he goes to work for the portly Sidney Chillas (Bruno VeSota of Female Jungle), as a singer. He is also hoping to get a line on what happened when his best friend, Sonny (Robert Banas), died in a car accident on the same night as the race. Phil and Jana continue to have a love-hate relationship as he investigates Chillas and his menacing gunsel, Bruce (Tipp McClure). Then Chillas tells him he wants him to deliver a package for him ... guess what's inside? 

Bruno gets a rubdown: VeSota and McClure

Daddy-O is not a very good movie but it's of interest because of the presence of Dick Contino, who gained more fame as an accordionist on Ed Sullivan than as an actor. This is too bad, because the big, handsome lug has a lot of charisma and screen presence, and gives a very good performance in the movie. He has a decent voice, and while his singing style might be considered a bit hokey today, he has a great bit when he jumps off the stage, gives manicurist Marcia (Gloria Victor/Joanne Arnold) a hot and passionate smooch, and turns triumphantly and sexily back to the audience. Bruno VeSota is also notable as the smooth-talking, pseudo-cultured Chillas and even gets a rubdown from his gunsel Bruce at one point. Alas, Sandra Giles is strictly from the Mamie Van Doren School of Acting, and makes little impression despite her physique. Sultry Gloria Victor makes much more of an impression as she stands by the bar literally smoldering with lust for Phil -- who calls himself "Daddy-O" -- as he's singing. This was the first score by the prolific John Williams of Jaws fame. 

Verdict: See it for Big Phil! **1/2. 

 

DEATH'S ROULETTE

DEATH'S ROULETTE (aka Uno para morir/2023). Director: Manolo Cardona. Amazon Prime. 

7 strangers wake up in a fabulous estate on an isolated island and compare stories as to how they were all abducted. A disembodied voice tells them that they must choose which of them is to die and must also follow certain rules. For one thing, no one can volunteer to make the ultimate sacrifice. If they don't make a choice, all of them will die. As the deadly "game" proceeds, the participants are allowed entry into different sections of the house and many personal facts about these individuals are revealed. The captives include a police detective named Simon (Manolo Cardona, who also directed), a drug-addicted stewardess named Teresa (Adriana Paz), a surgeon named Armando (Dagoberto Gama), and others. Simon theorizes that they may be the captives of a sociopath named Pablo, and as the film progresses their various connections to this man come to light. Will any of them survive? 

Presented on Amazon Prime, Death's Roulette is a Mexican thriller that holds the viewer in suspense, boasts some excellent performances (especially from Cardona), and works quite well until it becomes a little too tricky at the end. The picture has a classy look thanks to some striking sets and Luis Enrique Carrion's often stunning cinematography. There's not much originality to the script, however, but there are many good scenes and an exciting climax. This is another film that suggests that the victims are actually worse than the perpetrator, and the movie seems morally confused.  Cardona's direction is good and the dubbing is excellent.

Verdict: Entertaining and twisty if a bit too familiar and with loads of loose ends. **3/4. 

THE GHOST WALKS

Johnny Arthur, Richard Carle, John Miljan

THE GHOST WALKS (1934). Director: Frank R. Strayer. Colorized.  

On a dark and stormy night producer Herman Wood (Richard Carle), his nervous secretary, Homer (Johnny Arthur), and playwright Prescott Ames (John Miljan) manage to make it to the home of Dr. Kent (Henry Kolker). Prescott is engaged to Kent's daughter, Gloria (June Collyer), but she is also pursued by a persistent Terry Shaw (Donald Kirke). During dinner Beatrice (Eve Southern) says that the ghost of her dead husband will be joining them -- after dinner she is found dead. It develops that, aside from the murder, everything that transpired at dinner is taken from Prescott's play, and Wood and Homer still think everyone is just acting when Beatrice's corpse disappears ...

Rivals: Donald Kirke and John Miljan

Even by 1934 standards this comedy-mystery film is creaky with the usual quota of hoary elements, such as an old mansion, a thunderstorm, even an escaped maniac from an asylum conveniently located nearby. As the emphasis is on humor it's hard to get much involved with the "plot," such as it is. The only thing that keeps one watching is the relatively fast pace and some of the performances, with Carle and Arthur making an amusing combo of secretary and impatient, grumpy employer. The others in the cast are professional enough although no one stands out, which is no surprise given the material. At one point Homer winds up in a bed straight out of a Hawthorne  story when the canopy begins to descend. 

Verdict: Where are Abbott and Costello when you need them? **. 

EATER BUNNY MASSACRE: THE BLOODY TRAIL

EASTER BUNNY MASSACRE: THE BLOODY TRAIL (aka Easter Bunny Massacre 2/Easter Killing 2/2022). Director: Jeremy Chi-Hang Au. 

Star (Coco Taylor) and her boyfriend Mark (Harry Boxley, who also wrote the screenplay) go to a five-year reunion party of some old high school friends. The hostess and her boyfriend have already been murdered (in a fairly dull pre-credit sequence), so the bitchy Carla (Charlie Esquer) has taken over. Other guests include Danny (Elliott Eason), Dina (Natasha Rose Mills), Alex (Amber Doig-Thorne) and so on. They all freak out when a tape recording is played and out comes the voice of the dead Lexi (Jenny Miller), who may have committed suicide five years before or may have been murdered after her drink was spiked. Then someone in a ragged bunny suit comes after the group, murdering them one by one. 

The Bloody Trail is a sequel to -- or remake of -- Easter Bunny Massacre as both films basically have the exact same plot. Like the first film, it is an amalgam of Scream and I Know What You Did Last Summer, and has little originality. A somewhat interesting aspect is that there is a gay male couple in the film but you don't know who they are until the flick is nearly over. The cast perform admirably considering that their characters are only lightly sketched in. Charlie Esquer is certainly vivid as the very mean girl Carla, although one could argue that she overplays badly at times, but Elliott Eason hits the mark as the heavily-tattooed Danny. The movie isn't well-paced, but once you get past the tedium of the opening minutes, it will either cast a strange spell on you -- a kind of bad movie voodoo -- or put you to sleep. The flick isn't particularly good but it does have some suspense and surprises. 

Verdict: The bunny outfit in this one isn't very scary. **1/4. 

JUSTICE LEAGUE DARK: APOKOLIPS WAR

JUSTICE LEAGUE DARK: APOKOLIPS WAR (2020). Directors: Matt Peters; Christina Sotta.

In this animated feature Superman decides that instead of waiting for major villain, Darkseid, ruler of Apokolips, to attack, the Justice League should take the battle to him. Unfortunately, Darkseid is prepared, and two years later we see the results: a decimated Earth where a handful of heroes and others are all that stand between Darkseid and his ultimate conquest. The main character in this movie seems to be second banana John Constantine, who has mystical powers and has been drinking heavily since he ran off and left Zatanna to die (although his alleged act of cowardice is later explained). Batman has become one of Darkseid's acolytes, but his son Damian Wayne (Stuart Allan) fights the good fight, along with the Demon, Lois Lane, Lex Luther, Harley Quinn (why must this awful character appear in so many comics and movies?), Swamp Thing, the Titans and the Suicide Squad. (In a ridiculous moment it is revealed that bisexual Constantine is the ex not of Harley, as some suspected, but King Shark, which would sort of make Constantine a bestialist!)

Damian Wayne and resistance members

Raven of the Titans, turned into a teenager in this film so that she can bond with Damian Wayne, has been suppressing the essence of her evil father, Trigon, but he escapes to take over the body of Superman, leading into a battle between Trigon and Darkseid, which is perhaps not as exciting as expected. There are evil versions of other heroes, manipulated by Darkseid, and Apokolips War emerges as a kind of sequel to Flashpoint. The whole thing is fairly colorful but these things tend to work better on the comic page. Fun for devotees, however.

Verdict: Fairly exciting super-hero animated feature. **3/4. 

DOOMSDAY MACHINE

Grant Williams and Bobby Van 

DOOMSDAY MACHINE (1976). Directors: Harry Hope; Lee Sholem. 

Several astronauts, including Colonel Price (Denny Miller), Major Mason (Grant Williams of The Leech Woman), and Danny (Bobby Van), are about to take off for a flight to Venus when they are told some of the other men must leave to make way for three women: Dr. Turner (Ruta Lee), Lt. Carlson (Lorri Scott), and Russian Major Bronski (Mala Powers of The Unknown Terror). Some of the men are appalled with this development, while others leer. Halfway or so through the journey, they discover that a nuclear chain reaction has completely obliterated the earth. Will the group manage to reach Venus, who will pair off with whom, and will Mason manage to restrain himself before he has his way with Carlson? Wise old Dr. Perry (Henry Wilcoxon) might have all the answers. 

Ruta Lee and Mala Powers

Doomsday Machine sat on the shelf for years because there was no money to finish the picture. Even when it was finally released it was never quite finished, as the ending --which drags and drags -- features two different actors and different voices as Danny and the Russian major wind up in a lost Soviet spaceship. The shame is that while Doomsday Machine is very, very low-budget, it boasts some very good performances and an interesting story that keeps you watching. The shape of the spaceship they are traveling in keeps changing, there are all kinds of technical errors, and the crew, although initially shocked, never have any real reaction to the loss of loved ones back on earth. 

Grant Williams

As the kind of sleazy Captain Mason, Williams probably gives the best performance in the film, but the others are all very credible. Casey Kasem plays a mission control officer back on earth and James Craig of The Cyclops is Dr. Haines. There is a creepy, uncredited score that borrows a bit from Forbidden Planet but certainly adds to the atmosphere. Lee Sholem also directed Pharaoh's Curse. 

Verdict: Interesting casting and storyline help cope with a miniscule budget and other problems. **1/2. 

TOTALLY KILLER

TOTALLY KILLER (2023). Director: Nahnatchka Khan. On Amazon Prime.

35 years ago three 16-year-old girls were butchered by an unknown maniac eventually christened the "sweet 16" killer. Although one young lady, Pam (Julie Bowen), received a threatening note, she was spared -- until the killer shows up again in 2023 and kills her. Pam's grieving daughter, Jamie (Kiernan Shipka), seeks shelter in a time machine built by a friend when the killer pursues her, and inadvertently winds up back in the past on the very day the first murder is to occur. She decides to do everything she can to not only save her mother from her ultimate fate, but save the other girls as well. But it won't be easy, as her teenage mother (Olivia Holt) and her friends are basically all "mean girls." She also finds out that events are not unfolding exactly as they did in the past, meaning no one is safe ...

While I could have done without the film's flippant approach -- obviously trying to come off like a Scream movie -- I must say that the screenplay has some inventive and clever aspects to it. There's a very good sequence dealing with a "Quantum Drop" spaceship ride in the carnival, and more than one good twist. The identity of the killer is a complete surprise but there are still a couple of surprises even after the maniac, who actually has a solid motive, is unmasked. However, haven't we all had enough of mean girls and dumb jocks in horror movies? Shipka and the rest of the cast go through their paces competently. There are frequent references to Back to the Future. 

Verdict: Despite the sillier aspects, this is a decent time-travel slasher movie. ***. 

GUNSLINGER

Beverly Garland, Jonathan Haze, Allison Hayes

GUNSLINGER (1956). Produced and directed by Roger Corman.

"Sometimes I like awake two or three seconds worrying about it." -- Erica.

1878: Marshal Scott Hood (William Schallert) of Oracle Texas is shot dead in his office right in front of his horrified wife, Rose (Beverly Garland). She immediately shoots and kills one of two assassins and catches up with the other one at her husband's funeral, shooting him dead, too, as he stands hypocritically at the gravesite -- a great scene. 

Beverly Garland and John Ireland

Rose then decides to make herself the marshal of Oracle until a real marshal can show up in two weeks. In those weeks the feisty widow cleans up the town and wages war with Erica Page (Allison Hayes), who owns the Red Dog saloon. Rose insists that Erica keeps regular hours and that the trampy dancing girls leave town (they later attack Rose en masse). Erica and Rose have a zesty cat fight which the latter wins, leading to the former calling for a gunslinger named Cane Miro (John Ireland). Cane is paid $3000 to off the law in town -- Rose -- only Cane finds himself falling for the lady and vice versa. Meanwhile Erica, manipulating things behind the scenes, has bet virtually everything she owns hoping that the railroad will run through Oracle. Will Cane ultimately side with Rose or Erica?

Ireland romances the 50 Foot Woman

There are two obvious influences on Corman's Gunslinger. The first is Johnny Guitar, which came out two years earlier and also featured two women, Joan Crawford and Mercedes McCambridge in this case, in a power struggle (both on and off the set). Then there's Duel in the Sun, made about ten years earlier, in which lovers Jennifer Jones and Gregory Peck have a climactic gun battle -- Gunslinger's climax is basically a steal from that. But that doesn't detract from the fact that Gunslinger is a well-made, well-acted and entertaining picture that is better than its reputation (trashed largely because it was featured on that silly Mystery Science Theater).

Ireland confers with Hayes in front of Haze

Corman's fast-paced direction is a plus, as is the cast. John Ireland successfully keeps you guessing as to his true character and motivations, while Hayes, the 50 foot woman herself, gives possibly her best performance in her hard-as-nails portrayal of Erica. Beverly Garland, always a superior actress who deserved better than a career in B movies, is excellent as Rose, although one flaw in her performance is that she never seems to be grieving for her beloved husband -- but then she's kept pretty busy. Jonathan Haze of The Little Shop of Horrors scores as Jake, the bartender who is in love with Erica and kills poor portly Zebelon Tabb (Bruno VeSota) at her direction. Martin Kingsley doesn't make much of an impression as Mayor Polk, who is hated by Cane, but Margaret Campbell is much better as his wife. Chris Alcaide is Deputy Joshua, and Dick Miller shows up briefly as a postal man who gets shot by the sociopathic Erica. Ronald Stein contributes a quirky and effective score. 

Verdict: With a little more work this under-rated western could have been a real contender. ***. 

THE DIARY OF A HIGH SCHOOL BRIDE

Can this marriage be saved? Ron Foster, Anita Sands

THE DIARY OF A HIGH SCHOOL BRIDE (1959). Produced and directed by Burt Topper.  

17-year-old Judy (Anita Sands) and 24-year-old Steve (Ron Foster of Ma Barker's Killer Brood) get married in Las Vegas and move into an apartment. Although Steve, studying to be a lawyer, seems like a perfectly upright and solid fellow, Judy's parents are appalled. Judy's mother (Louise Arthur) wants the marriage immediately annulled, but her father (Frank Biro) insists that she will move back home when she gets tired of playing housewife. Meanwhile Judy's nasty ex-boyfriend, Chuck (Chris Robinson), the spoiled son of a movie executive, is out to cause trouble for the couple any way he can. 

Chris Robinson and Wendy Wilde

If there is any problem with Diary of a High School Bride it's that the leading characters are actually perfectly nice and decent, which, alas, does not add up to perfect melodrama. There is so little plot to the movie that any "drama," if that's the word, comes from the actions of sleazy Chuck as he tries to cause an accident on the highway, gets clobbered by Steve, and even attempts the rape of Judy at the climax. The audience probably cheered when he got his final comeuppance, although they might have just been grateful that this lousy flick was over. Handsome and talented, poor Ron Foster often found himself in turkeys like this. After making her debut in this film, Sands had a few television credits. Her performance is nothing to rave about but Chris Robinson does a nice job as the fellow who just won't take no for an answer. John Hart shows up briefly as a police officer and Elvis imitator Tony Casanova sings the title song and does another number in a coffeeshop. Wendy Wilde plays Chuck's monkey-faced wannabee girlfriend. 

Verdict: Barely passable. *1/2. 

BATMAN: THE LONG HALLOWEEN PARTS ONE AND TWO

BATMAN: THE LONG HALLOWEEN Parts One and Two (2021). Director: Chris Palmer. 

A killer named "Holiday" is committing murders of gangsters, each crime occurring on a holiday. District attorney Harvey Dent (Josh Duhamel) is determined to bring mob boss Carmine Falcone to justice, leaving his lonely wife Gilda to fend for herself, while Bruce Wayne (Jensen Ackles) is embarrassed by the man's former connection to Wayne's late father. As Batman and Commissioner Gordon (Billy Burke of Along Came a Spider) try to determine the identity of Holiday and prevent more killings, Batman and Catwoman (Naya Rivera) pursue a relationship. Catwoman saves Bruce from the sinister manipulations of Poison Ivy while the Joker is up to his usual tricks and the Scarecrow breaks out of Arkham Asylum. Batman zeroes in on Vincent Falcone's mistreated son, Alberto, as Holiday but the truth may be much more complicated. 

Based on a graphic novel, Batman: The Long Halloween is a pretty classy animated feature, boasting excellent drawings and superior direction. True, the stuff with the mobsters is full of the usual cliches (and phony sentimentality), but the story is suspenseful and quite entertaining despite it being nearly three hours long. This is another cartoon that is better than a lot of theatrical movies.  

Verdict: One of the better DC animated pictures. ***. 

TOKYO FILE 212

Lee Frederick and Florence Marly

TOKYO FILE 212 (1951). Directors/co-writers: Darrel McGowan; Stuart E. McGowan. Colorized. 

Army Intelligence man Jim Carter (Lee Frederick, using the name Robert Peyton) is in occupied Tokyo pretending to be a reporter. He meets Steffi Novak (Florence Marley), who says that her sister is in North Korea and she is desperate to be reunited with her. Jim's old friend Taro Matsuto (Katsuhiko Haida) has joined a communist outfit working out of Japan. His father (Tatsuo Saito) tells Jim that Taro was preparing to be a Kamikaze pilot when the war ended, and all his preparations were for nothing. He has cut off all ties with his father and former fiancee, Namiko (Reiko Otani). Taro reports to a man named Oyama (Tetsu Nakamora) who is not above kidnapping and murder to achieve his goals. Meanwhile Jim has to wonder just which side sexy Steffi is really on. 

Marley with Katsuhiko Haida

Czech-born Florence Marley was Humphrey Bogart's leading lady in Tokyo Joe, which came out two years earlier, and undoubtedly it was this that got her cast as one of the leads in Tokyo File 212. Marley looks good and never gives the game away as to who she's really playing for; an insouciant and appealing performance. Unconventionally attractive, Frederick is a laid-back and likable hero although decidedly from the minor leagues. Katsuhiko Haida, Saito, Otani, and especially Tetsu Nakamora as the chief villain of the piece are all excellent. Nakamora appeared in many English-language films. 

"insouciant and appealing:" Florence Marley

The movie was filmed entirely in Japan, and features some actual Intelligence Officers and Kamikaze pilots (who apparently survived). This is essentially an anti-commie film, simplistic in some ways, but flavorful in its locales and details. There are some good action scenes as well. (You would never know that two major Japanese cities had been wiped off the map just a few short years before.) The film greatly benefits from a evocative score by Albert Glasser, who usually scored monster movies and the like. Here he is given a lot more to work with and he runs with it, embellishing every sequence and giving the low-budget picture an added polish. 

Verdict: Unusual kind of spy film with a highly interesting cast. ***. 

GANG BUSTERS

Kent Taylor, Irene Hervey, Robert Armstrong

GANG BUSTERS (13 chapter Universal serial/1942). Directors: Noel M. Smith; Ray Taylor. Colorized.

The city is under siege by "The League of Murdered Men," a sinister group of supposedly dead criminals run by Professor Mortis (Ralph Morgan of Dick Tracy vs. Crime Inc.). Mortis keeps his underlings in line by telling them -- once he has revived their "corpses" after plastic surgery -- that they must take a daily pill he has concocted or they will succumb to death for real. Mortis is less interested in financial gain than he is in revenge on all city authorities, especially the chief of police (Joseph Crehan) and the dyspeptic mayor (George Watts). Fighting against Mortis and his dead men are Detective Bill Bannister (Kent Taylor of The Crimson Key), his junior partner Tom Nolan (Robert Armstrong of Exposed), reporter Vicki Logan (Irene Hervey) and shutterbug Happy Haskins (Richards Davies), one of whom is secretly working for Professor Mortis.

Ralph Morgan as "Professor Mortis"

Gang Busters, not to be confused with the later TV series of the same name, is a top-notch Universal serial that is swiftly-paced and consistently exciting. Especially good sequences include a fight on a plane in chapter one, and a thrilling battle atop a speeding train. The leads are quite adept, and there is notable work from some actors cast as gang members, including William Haade as dimwitted Mike Taboni, George J. Lewis, and John Gallaudet as Wilkinson. Morgan is excellent as the sinister and hateful "Professor Mortis." An interesting if zany touch has it that the only entrance to the professor's underground lair is through a trap door in the middle of the subway tracks. Wild!

Verdict: Fun, fast-paced serial action now in color! ***. 

B MOVIE NIGHTMARE: THE BOOK

B MOVIE NIGHTMARE: B Movies and Genre Films from Monsters to Spies. William Schoell.

Here it is! My first collection of reviews taken not from this blog, but from GREAT OLD MOVIES -- these reviews were originally posted many years ago. There are sections on horror films; sci fi films; movies of intrigue and suspense, including film noir; cliffhanger serials; monster movies; B movie series (Crime Doctor, Nancy Drew etc.); TV shows; exploitation films (admittedly the shortest section in the book); spies; and Alfred Hitchcock. Admittedly, Hitch rarely made a "B" movie but the book, like this blog, also covers genre movies from A to Z. The films are listed in chronological order in each section, and there are movie stills as well. Available in the following formats: Kindle, trade paperback, and hardcover. You can buy this book on Amazon.

INJUSTICE

Superman kills the Joker

INJUSTICE (2021). Director: Matt Peters.

Superman (Justin Hartley) discovers that his wife Lois (Laura Bailey) is pregnant on the same day that she -- along with Jimmy Olsen and millions of others in Metropolis -- is murdered by the Joker. Understandably furious at the Joker, to put it mildly, as well as angry that Batman has never arrived at a final solution for the Joker, Superman punches his fist through the villain's chest and ends his menace forever. This completely understandable act of revenge -- or justice -- on the part of Superman, while perhaps out of character, leads into a conflict between him and other members of the Justice League.

The Man of Steel on the offensive

Superman decides that the super-heroes of the world should use their abilities to shut down oppressive governments and terrorists without mercy. Wonder Woman agrees with him, as does 13-year-old Damian Wayne (Zach Callison), Batman's edgy son. But even Wonder Woman is appalled when the Man of Steel literally murders some teenage geeks who think the Joker is "cool." Batman, Green Arrow, and other heroes then stand against Superman and the battle is on. 

Wonder Woman and the Justice League

Injustice is based on a DC graphic novel but many of its ideas are taken from the excellent Marvel Comics mini-series Squadron Supreme (whose characters were actually variations of the DC heroes), which dealt with similar issues of responsibility and the corruption of power. Other characters in the movie include Dick Grayson (who is killed and becomes "Deadwing)," Cyborg, Green Lantern, Flash, and the villains Ra's Al Ghul, Mirror Master, Amazo, and Harley Quinn, an idiotic character who nearly ruins the movie. The Atom and Green Arrow are also killed. While there are some exciting sequences in the movie, you might get the feeling that you've seen it all before, although much of it is fun.

Verdict: A lack of originality doesn't help but it's great to see the Joker finally get his! **3/4.

65

Adam Driver pursued by dinosaur

65 (2023). Written and directed by Scott Beck and Bryan Woods.

65 million years ago a spaceship from the Planet Somaris -- which seems exactly like Earth -- is hit by the first piece of a huge asteroid and crash lands in two pieces on our planet in the prehistoric era. The only survivors are the pilot, Mills (Adam Driver), and a little girl named Koa (Ariana Greenblatt), whose parents are among the lost. Mills had a young daughter, Nevine (Chloe Coleman), who died while he was out in space. Half of the spaceship has landed on top of a mountain, and Mills and Koa have to make their way through a hostile landscape (somewhat) filled with dinosaurs in order to find their way home.

Adam Driver

65 engendered serious hatred in  a lot of viewers, probably because it is less of a dinosaur movie than it is a survival movie with a few dinosaurs thrown in. Admittedly these dinosaurs -- precious few of them considering this is the prehistoric era -- look great and the FX work in the film is excellent. But there isn't much of a story here, and the two characters can't even converse because only one of them speaks English (or an alien version of it?) It's actually rather odd that in spite of the close calls that our twosome have to endure throughout the movie -- cave-ins, quicksand, hungry raptors, the meteor that killed off the dinosaurs, and so on -- the film is so blah and even a bit dull. It doesn't help that there isn't enough back story and the whole premise is like something out of an old comic book. The acting is fine, however, although if star Adam Driver were hoping for a tremendous hit he must have been disappointed. The various attempts at pathos don't really work, either. 

Verdict: If you want dinosaurs there are better places to visit. **1/2.