THE SQUEAKER

Gunter Pfitzmann and Heinz Drache

THE SQUEAKER (aka Der Zinker/1963). Director: Alfred Vohrer. 

In London a criminal mastermind called the Snake is being pursued by Inspector Elford (Heinz Drache). The Snake seems to somehow be involved with a zoo managed by Frank Sutton (Gunter Pfitzmann), who receives a threatening letter from the Snake. Sutton's fiancee, Beryl (Barbara Rutting), is a mystery writer as well as the niece of the lovably eccentric Nancy Mulford (Agnes Windeck), who owns the zoo and lives in a sprawling mansion. Other characters include newspaper publisher Sir Geoffrey (Siegfried Schurenberg); his mincing if hetero reporter, Harras (Eddi Arent); Millie Trent (Inge Langen), Sutton's strangely hostile secretary; and the skulking Krishna (Klaus Kinski), who carries out much of the Snake's dirty work. 

Drache with Agnes Windeck

The Squeaker takes a while to get going and some viewers may want to give up on it after about half an hour of relative tedium. But eventually the movie becomes rather lively, with some creative deaths, prowling tigers, weird weapons, and quite a few slithering reptiles, as well as an interesting climax wherein the eccentric old lady -- who has her own axe to grind -- confronts the Snake in her dining room. The villain's identity may or may not come as a surprise, although it's telegraphed towards the end. The cast is game, with Agnes Windeck really scoring as the old lady, but Eddi Arent -- who gives virtually the same unfunny performance in every single movie -- is incredibly irritating.  

Verdict: Yet another West German Edgar Wallace adaptation which is not without interest. **1/2. 

THE MAN WITH THE GLASS EYE

Narzib Sokatscheff

THE MAN WITH THE GLASS EYE (aka Der Mann mit dem Glausage/1969). Director: Alfred Vohrer. 

A man is stabbed to death in his hotel room where a glass eye is found, and his lover, a dancer, is later poisoned via two needles in her mask. Inspector Perkins (Horst Tappert) investigates and is assisted by Sgt. Pepper (Stefan Behrens), a relative buffoon. This incredibly convoluted Edgar Wallace-based story bounces from a theater where the "Las Vegas Girls" are performing -- along with a knife thrower and a ventriloquist with a huge, ugly dummy -- to a billiards parlor which is a front for a white slavery gang allegedly run by the "Boss" (Narzib Sokatscheff), who has a glass eye. There is also Lord Bruce (Fritz Webber), whose monster-mother Lady Sheringham (a vivid Friedel Schuster) objects to his relationship with another dancer named Yvonne (Karin Hubner). Of course Sir Arthur (Hubert von Meyerinck) and his assistant Mabel (Ilse Page) of Scotland Yard are along for the ride.  

Friedel Schuster

The Man with the Glass Eye actually has an interesting plot once you decipher what's going on, but the execution is generally dismal. Many of these West German Wallace flicks lay on the humor too thickly, and this production is one of the worst offenders -- the tone of the whole thing is just plain stupid. What makes it worse is that the forced prostitution angle is rather grim and at complete odds with the general ambiance. There are a few interesting bits throughout the running time but the movie only really comes alive in the final twenty minutes or so, once we meet the sinister Lady Sheringham and learn her true relationship with Yvonne, who knew her years before. The climactic sequence between the nasty old lady and the actual killer aboard ship is well-done. Behrens as the comedy relief is given an awful dubbed voice like something out of a cartoon, but otherwise he doesn't seem as irritating as Eddi Arent who appeared in many other krimi movies. This was the last of director Alfred Vohrer's Wallace adaptations. 

Verdict: A good story nearly ruined by too many silly characters. **. 

CREATURE WITH THE BLUE HAND

The Blue Hand zeroes in on a victim

CREATURE WITH THE BLUE HAND (aka Die blaue Hand/1967). Director: Alfred Vohrer.  

Dave Emerson (Klaus Kinski), who has a twin brother named Richard, claims that he was wrongfully convicted of murdering the family gardener and escapes from an institution run by the weird Dr. Mangrove (Carl Lange of The Fellowship of the Frog). Inspector Craig (Harald Leipnitz of The Brides of Fu Manchu) realizes that Dave has taken Richard's place, but feels he is telling the truth, despite the misgivings of Sir John (Siegfried Schurenberg) of Scotland Yard. Meanwhile an unknown figure in a cloak and hood who wears a blue glove with spikes on it runs about the Emerson castle killing the relatives of an appalled Lady Emerson (Ilse Steppat of The Sinister Monk). Her stepdaughter, Myrna (Diana Korner) is kidnapped and taken to Mangrove's asylum, where she faces an assortment of mice and snakes unless she signs certain papers. But who is the sinister "boss" who not only gives orders to Mangrove -- who is paid to put sane wealthy people away to steal their money -- but to the homicidal Blue Hand as well?

Ilse Steppat and Klaus Kinski

The Blue Hand is another convoluted Edgar Wallace story which remains a bit confusing but generally explains most of what's going on at the end. Kinski, who played supporting roles in many of these films, practically has the lead, and is quite good as the twins. Also noteworthy is Ilse Steppat, most famous for her role as Irma Bunt in On Her Majesty's Secret Service. (Sadly she died at only 52 after making that movie.) Albert Bessler makes an impression as the butler, Anthony, who always seems to be around just when you need him. The mastermind behind all of the goings-on isn't revealed until practically the last moment. 

Verdict: Weird, colorful, amusing -- and confusing -- Edgar Wallace concoction. **1/2. 

THE HAND OF POWER

Death's Head: the killer laughs

THE HAND OF POWER (aka The Zombie Walks aka Im Banne des Unheimlichen/1968). Director: Alfred Vohrer. 

In yet another West German film based on a novel by Edgar Wallace, laughter seems to come from the coffin at Sir Oliver's funeral. This unnerves his brother, Sir Cecil (Wolfgang Kieling of Our Man in Jamaica), especially when someone wearing a death's head mask, cape and hat starts running around poisoning victims via a ring shaped like a scorpion. As Inspector Higgins (Joachim Fuchsberger, as usual) investigates, there are several suspects: Dr. Brand (Siegfried Rauch of The College-Girl Murders); Potter, the vicar (Hans Krull); the stonemason Ramiro (Peter Mosbacher); nurse Adela (Claude Farell); the black chauffeur, Casper (Jimmy Powell); and others. Meanwhile reporter Peggy Ward (Siw Mattson) runs about alternately investigating and interfering. 

Siw Mattson and Joachim Fuchsberger

The film is introduced by a voice claiming to be (the late) Edgar Wallace. This is followed by an absolutely terrible theme song. The plot is very good and quite intriguing, but there's a surfeit of dumb humor, which greatly minimizes any tension. Instead of the buffoonish Sir John, we get the equally buffoonish Sir Arthur (Hubert von Meyerinck) giving Higgins his orders -- he is not only a ballet fan but tries out a few steps in the office. At least the annoying Eddi Arent isn't in the cast. 

Verdict: Good story; so-so execution. **3/4. 

THE INN ON THE RIVER

Joachim Fuchsberger and Brigette Grothum

THE INN ON THE RIVER (aka Das Gasthaus an der Themse/1962). Director: Alfred Vohrer. 

A criminal mastermind known as the Shark is operating in and around a waterfront dive known as the Mekka Inn. The place is run by the shady Nellie Ochs (Elizabeth Flickenschildt of The Terrible People), whose niece, Leila (Brigette Grothum), works as a waitress there. Wearing a scuba outfit  and using a harpoon gun, the Shark dispatches his enemies and sends confederates out to pick up the bodies. Inspector Wade (Joachim Fuchsberger), who is strongly attracted to Leila, matches wits with her aunt while he tracks down the Shark and deals with his generally nasty associates. 

Elisabeth Flickenschildt

The Inn on the River has a typically convoluted Edgar Wallace storyline and one has to pay careful attention to keep track of who's who. The atmospheric locations of docks, sewers, and other underground chambers are the chief assets of the picture, along with the sharp performance of Flickenschildt, although most of the cast is pretty decent. Campy Eddi Arent is again drafted as comic relief and is as irritating as usual. Klaus Kinski plays the usual suspicion person who may or may not be a bad guy. The flick has terrible theme music.

Verdict: Some intriguing aspects but not entirely successful. **1/2. 

THE HORROR OF BLACKWOOD CASTLE

Siegfried Schurenberg and Karin Baal

THE HORROR OF BLACKWOOD CASTLE (aka Der Hund von Blackwood Castle/1968). Director: Alfred Vohrer. 

"Everyone's dying here -- so inconsiderate!" -- Lady Agatha. 

Captain Wilson (Otto Stern) has died and his daughter, Jane (Karin Baal), has inherited his creepy old castle. As an insurance investigator, Connery (Heinz Drache of The Brides of Fu Manchu), tries to recover the stolen Amsterdam jewels, members of the late captain's crew are being killed by a hound outfitted with fake poisoned fangs -- are they also searching for the jewels which the captain might have stolen? In addition to the castle, much of the action centers on a rundown Inn managed by the feisty Lady Agatha (Agnes Windeck), whose guests are dropping like flies. Meanwhile Jane's avaricious long-lost mother, Catherine (Mady Rahl) shows up to see what she can get from her daughter's inheritance. Can Sir John of Scotland Yard (Siegfried Schurenberg) stop the murders and solve the case? 

von Berlepsch, Engel, Drache,

Usually in these movies Siegfried Schurenberg as Sir John pops up now and then to act the buffoon and gives orders to the detectives who are actually doing the investigating, but in Blackwood Castle he seems to be the chief investigator, which gives the whole film a comic or even campy -- or at the very least tongue-in-cheek -- tone to it which works against the suspense. (It's almost as if Schurenberg got so much screen time to make up for the absence of Eddi Arent, who generally plays the comic relied in these krimi films.) 

In any case, even though it comes together at the end, Blackwood Castle is a bit too convoluted for its own good. The movie is introduced by a voice claiming to be Edgar Wallace, and there is a terrible rock-like theme song. The actors, including Tilo von Berlepsch as Lady Agatha's brother, Henry, and Alexander Engel as Dr. Adams all give flavorful and adept performances. The hound (or hund) itself is not given that much to do, and the storyline is quite different from "The Hound of the Baskervilles." Pretty good ending to this. 

Verdict: Rather weird Wallace krimi that seems to go all over the lot. **1/2. 

THE FELLOWSHIP OF THE FROG

The Frog: would you buy a used care from this man?

THE FELLOWSHIP OF THE FROG (aka Face of the Frog aka Der Frosch mit der Maske/1959). Director: Harald Reinl. 

London is the locale of a sinister criminal leader known only as the Frog, who has hundreds of cutthroat agents in his employ, and who runs about decked out in a kind of ski cap with bulging bubble eyes. Richard Gordon (Joachim Fuchsberger), the nephew of Scotland Yard's Sir Archibald (Ernst Fritz Furbringer of The Curse of the Hidden Vault), is certain that the Frog is actually the supposedly dead master criminal Harry Lime, but whom is he impersonating when he isn't posing as the Frog? The Frog seems to have an unhealthy interest in the family of John Bennet (Carl Lange of Death in a Red Jaguar), especially his daughter, Ella (Elfie von Kalckreuth), but it's his son, Ray (Walter Wilz), who winds up framed for murder. Then there's the singer, Lolita (Eva Pflug), who seems to be working for the Frog but elicits his wrath in an especially brutal sequence involving a machinegun. Can Ray be saved before he's hanged, and will the Frog ever be unmasked? Inspector Elk (Siegfried Lowitz of The Sinister Monk) has a plan ... 

Matinee Idol: Joachim Fuchsberger

This is the very first of a West German film series based on the novels of Edgar Wallace that would eventually add up to nearly sixty movies (if you also include adaptations of novels written by Wallace's son as well as films clearly influenced by Wallace)! This one, directed by Harald Reinl -- who helmed many of the Jerry Cotton films starring George Nader, as well as Dr. Mabuse movies and The Torture Chamber of Dr. Sadism -- keeps things moving briskly in this initial entry. Handsome Fuchsberger would appear in many of the subsequent films, generally in a heroic role. Frog is fast-paced, entertaining, and amusing, although the whole business with Ray being arrested and convicted so rapidly seems more than contrived and downright weird. The biggest problem with Frog is that the identity of the master criminal seems obvious, at least to me, almost from the first -- he just sticks out like a sore thumb! Other characters include the cadaverous Maitland, Ray's boss (Fritz Rasp), and his kindly associate Johnson (Jochen Brockmann), as well as Eddi Arent as Gordon's comical butler, James. 

Verdict: Successful enough to engender a whole slew of krimi movies. **3/4.   

THE STRANGE COUNTESS

Brigitte Grothum, Lil Dagover, and Eddi Arent

THE STRANGE COUNTESS (aka Sie seltsame Grafin/1961). Directors: Josef von Baky; Jurgen Roland; Ottokar Runze.

Margaret (Brigitte Grothum) receives menacing phone calls from a strange man (Klaus Kinski), is nearly killed on more than one occasion, and decides to accept a job offer from Countess Luana Moran (Lil Dagover) to become her new secretary. Margaret had previously worked for the countess' lawyer, Shaddle (Fritz Rasp), who importunes Inspector Dorn (Joachim Fuchsberger) to watch out for her as he feels she's in danger. This proves true even when Margaret arrives at the countess' imposing castle, and meets her son, Selwyn (Eddi Arent), the strange Dr. Tappan (Rudolf Fernau), and the oily Chesney Praye (Richard Haussler), among others. If a near-death incident on a collapsing balcony weren't enough, Margaret learns that Mary Pinder (Marianne Hoppe), a woman who served twenty years for poisoning someone, is her biological mother and is coming to work at the castle! Time to seek new employment, perhaps? 

Grothum with Joachim Fuchsberger

This is another West German thriller based on a novel by Edgar Wallace. With mysterious countesses and castles, sinister psychiatric clinics, and a hero who doesn't clue the heroine in as to what's going on and therefore manages to frighten her as much as the bad guys, Strange Countess betrays its thirties origins. While you may develop some interest as to why Margaret is on somebody's hit list, the movie never becomes gripping, although the actors are certainly game. Lil Dagover was a German actress who had a very long career and who appeared in the original silent Cabinet of Dr. Caligari. 

Verdict: Despite a dozen or so people running around in all directions this never becomes that interesting. **. 

THE TERRIBLE PEOPLE

Elisabeth Flickenschildt and Joachim Fuchsberger

THE TERRIBLE PEOPLE (aka Die Bande des Schreckens/1960). Director: Harald Reinl.

Before he is hanged for his many crimes, Clay Shelton (Otto Collin) -- who was captured during a bank robbery -- vows to kill Inspector Long (Joachim Fuchsberger), the judge, the hangman, even a woman, Mrs. Revelstoke (Elisabeth Flickenschildt), who got in his way as he tried to escape, and others. As usual in these kind of movies, the police do a lousy job of protecting these folks, who are killed off one by one. Shelton's grave is empty, and people keep seeing the supposedly dead man in the distance. Then there are the sinister members of a gang called The Gallow's Hand. Long comes to realize that his own father (Fritz Rasp) may somehow be involved in the case, along with Nora Sanders (Karin Dor), who is Mrs. Revelstoke's confused and frightened secretary. Will Long be able to find out what's going on and who is responsible before every witness is killed off?

Fuchsberger with Fritz Rasp

This is another West German Edgar Wallace adaptation, and it is suspenseful and fun, if rather far-fetched. Clay Shelton makes a creepy-looking adversary, and the identity of the true mastermind behind it all comes as a big surprise. The action scenes in the film, especially at the climax, are very well handled. One interesting sequence has the hangman himself being strangled with a noose. When Long receives a written message, someone asks him: "Menacing message or love letter?" To which he replies: "Love letters are always menacing." Eddi Arent plays a crime scene photographer who keeps fainting every time he sees a body, a recurring joke that is never that funny. There are times when this seems very much like a Dr. Mabuse movie.

When I watched this for free on Tubi, the last twenty minutes or so suddenly switched from the dubbed English version to the German-language version -- with no subtitles. Fortunately Amazon Prime also had the film -- in English -- so I was able to learn what everyone was saying, although I had to rent the darn thing to do so.  

Verdict: Another interesting West German crime film. ***. 

THE CURSE OF THE HIDDEN VAULT

Ernst Fritz Furbringer and Harald Leipnitz

THE CURSE OF THE HIDDEN VAULT (aka Die Gruft mit dem Ratselschloss/1964.) Director: Franz Josef Gottlieb.  

An old gangster named Real (Rudolf Roster) has amassed a fortune -- mostly from others -- and placed it in a booby-trapped vault on his estate. Real wants to leave his fortune to Kathleen Kent (Judith Dornys), the daughter of a man he cheated years ago, but all of Real's associates want their cut first and will kidnap and murder anyone they can to get it. Kathleen is accompanied by her nerdy, officious lawyer, Ferry Westlake (Eddi Arent) and is befriended by the mysterious Jimmy Flynn (Harald Leipnitz), who seems to be playing both sides against the other. Meanwhile Inspector Angel (Harry Meyen), egged on by Sir John (Siegfried Schurenberg), tries to get enough on everyone to make an arrest. 

Klaus Kinski

The main problem with Hidden Vault is that it can't make up its mind if its a serious thriller or a parody of one. The presence of Eddi Arent, playing his usual role of comedy relief, doesn't help at all, although he does get the last laugh at the very end. While much of the film is tedious, there are a couple of good scenes set in an old mill, and a gruesome business where one character falls in front of a grindstone. Klaus Kinski [Schizoid] plays a sinister mute character who slithers about causing mischief and worse. The movie has just a few James Bond-like touches and there are some surprises to boot. For the record the vault in this movie is hardly "hidden" as lots of characters find it with ease. Franz Josef Gottlieb also directed the eurospy feature Die Slowly, You'll Enjoy it More with Lex Barker.   

Verdict: Another Edgar Wallace adaptation from West Germany. **1/4.

THE SINISTER MONK

Who is the maniacal monk?

THE SINISTER MONK (aka Der unheimliche monch/1965). Director: Harald Reinl.  

Based on a novel by the prolific Edgar Wallace, this movie has enough plot for several films. First we have a group of siblings arguing over a will. William (Dieter Eppler) and Richard (Siegfried Lowitz) want to figure out a way to stymie or dispose of niece Gwendolin (Karin Dor), who gets the lion's share of the cash, while Aunt Patricia (Ilse Steppat) is hoping to protect her, especially from her predatory son, Ronnie (Hartmut Reck). At Patricia's girls school, some of the students turn up missing. If that weren't enough, a man dressed as a monk and wielding a whip is using the lash to strangle and break the necks of assorted individuals. Who is the Mad Monk and why is he killing people?

Harald Leipnitz and Karin Dor

Although it's burdened with an oddball, overly jazzy score by Peter Thomas, The Sinister Monk is a suspenseful and entertaining flick that crosses several genres, from psycho-on-the-loose to police procedural to gang activity to siblings fussing over wills and damsels-in-distress. In addition to those mentioned, other characters include Inspector Bratt (Harald Leipnitz); Mr. Short (Rudolf Schundler), who makes masks of the students and keeps pigeons; and Smitty (Eddi Arent), who helps out at the school and falls for Gwendolin. Although the identity of the monk, withheld until nearly the last second, may not come as the greatest surprise, The Sinister Monk has enough twists and turns and action to keep you happily watching. Karin Dor, who was married to much-older director Harald Reinl at the time, later appeared in You Only Live Twice and Alfred Hitchcock's Topaz. 

Verdict: Intriguing dubbed mystery-thriller from West Germany. ***. 

THE COLLEGE-GIRL MURDERS

Another mad monk with a whip on the loose!

THE COLLEGE-GIRL MURDERS (aka Der Monch mit der Peitsche/1967). Director: Alfred Vohrer.

Frank Keeney (Siegfried Rauch) is spirited out of jail by corrupt prison staff so he can become a paid killer for an unknown figure who keeps alligators in a pen on his property. Keeney is given a special gun that fires a stream combining gas with acid so that he can kill several co-eds at a girls college run by Harriet Foster (Tilly Lauenstein). If that weren't enough a man in a monk's outfit and carrying a whip murders people just as was done in The Sinister Monk, a film that is referenced in this one. Inspector Higgins (Joachim Fuchsberger) teams up with the rather buffoonish Sir John (Siegfried Schurenberg) to try to unravel a very strange, indeed, utterly absurd -- but very entertaining -- Edgar Wallace mystery. 

Siegfried Rauch

This is another in a series of West German thrillers based on the works of prolific British author Edgar Wallace. College-Girl Murders comes from "The Black Abbot," but somehow I doubt that it's a particularly faithful adaptation. This version has added "euro-spy" elements with secret super-villains in elaborate HQs, weird weapons, and as usual, enough plot for five movies. (Schurenberg's Sir John appears in most of the Wallace adaptations.) The musical score is not off-putting, the pace is fast, the acting is generally good, there are numerous suspects, and the identity of the masterminds comes as a bit of a surprise (although you may not quite buy it). A plot element is "borrowed" from Agatha Christie's "ABC Murders." 

Verdict: Wild and crazy caper from West Germany. **3/4.