DEAD BODY ON BROADWAY

George Nader and Heinz Weiss

DEAD BODY ON BROADWAY (aka Broadways Deadly Gold aka Todesschusse am Broadway/1969.) Director: Harald Reinl. 

FBL agent Johnny Peters (Hans Heyde) infiltrates a gang run by Joe Costello (Miha Baloh), but manages to hide the three million in gold they stole before he is murdered. Costello has his face altered, kills off the surgeons, and tries to get ahold of Peters' girlfriend, Cindy (Heidy Bohlen), thinking she knows where the loot is hidden. Having always suspected that her Johnny was on the side of the angels, she bravely decides to work with Jerry Cotton (George Nader) and Phil Decker (Heinz Weiss) as a decoy. Another player is wealthy Woody Davis (Horst Naumann), who runs his own gang and is also out to find Cindy -- and the loot. His niece, Alice (Michaela May), is innocently embroiled in the intrigue. 

Miha Baloh

This is the eighth and last in the West German Jerry Cotton film series starring George Nader as Cotton. As usual, it has a fast pace, a lot of running around, lots of fist fights and gun shots, and some exciting sequences, although it isn't the best of the series. Joe Costello is such an utterly loathsome villain that at one point he kidnaps a young boy, then later hands him a loaded grenade hoping to blow the child up -- fortunately Jerry saves the boy's life. Costello gets his just desserts but his death isn't nearly horrible enough. The flick, shot in West Germany, features second unit work in New York and Las Vegas, where Jerry takes a brief detour. Locations of shattered ruins, garbage-strewn back alleys, and dank tunnels add much to the atmosphere. Two times during the film Cindy sings one of the most dreadful pop numbers I've ever heard, "See You Later, Alligator." 

Apparently Nader was dubbed for these German productions, but fortunately his real voice is used for the English-dubbed versions. His performances as Cotton are always on the money, adding a soupcon of humor and style to his square-jawed characterization. German actor Weiss is never given as much to do, but is also effective. 

Verdict: The last of the sixties Cotton movies. **3/4. 

TIP NOT INCLUDED

Jerry dives off and grabs the bottom rungs of copter!

TIP NOT INCLUDED (aka Die Rechnung --eiskalt serviert/1966). Director: Helmuth Ashley. 

FBI agent Jerry Cotton (George Nader) is enjoying a drink when he tries to help a man, Thomas (Christian Doermer), who is dragged out of the club by thugs. Thomas is one of several men who is participating, perhaps unwillingly in his case, in a plot to rob the U.S. Treasury. Thomas' friend Phyllis (Yvonne Monlaur) is kidnapped by the gang when it is suspected that she knows more about his activities than she really does. Jerry affects a rescue of her, and tries to warn Clark (Walter Rilla), head of the Treasury, about the upcoming robbery, but he doesn't listen, and the mint is robbed of millions. Now it's up to Jerry to round up the gang and get the moolah back!

George Nader as Jerry Cotton

This is another entertaining West German Jerry Cotton movie with Nader essaying the role in his usual slick and heroic style. At one point Jerry launches himself off a high rooftop and miraculously grabs hold of the bottom rungs of a helicopter taking off. (The process work in this exciting sequence is very well done.) Heinz Weiss appears as Jerry's partner, Phil Decker, but he doesn't get much to do in this entry. There's an interesting development when Jerry takes the blame for letting the robbery occur to spare Clark, who blames himself and is on the verge of suicide. Jerry winds up being suspended but, true to form, stays in action. 

Verdict: Handsome Nader does the derring-do with flair. **3/4. 

THE TRAP SNAPS SHUT AT MIDNIGHT

Jerry Cotton (George Nader) goes into action!

THE TRAP SNAPS SHUT AT MIDNIGHT (aka Um Null Uhr schnappt die Halle zu/1966). Director: Harald Philipp.  

A small-time operator named Hatton (Gert Gunther Hoffmann) steals a truck and is alarmed to discover it is stuffed with vats of nitroglycerine. The cool blonde Maureen (Dominique Wilms of OSS 117 -- Panic in Bangkok) acts as go-between for him and big-time operator Larry Link (Horst Frank of Eye in the Labryinth), but Hatton isn't in the picture for long. Link contacts the authorities and threatens to use the nitro to blow up Manhattan if he isn't paid one million smackers. FBI agent Jerry Cotton (George Nader) and his partner Phil Decker (Heinz Weiss) are assigned to get the crooks and find the nitro -- before a summer heat wave causes it to explode! 

Dominique Wilms and George Nader

This is the third of the West German Jerry Cotton films starring George Nader, and as usual it's entertaining and well-played. The film is distinguished by two exciting action scenes: when Jerry masquerades as a window washer and nearly falls to the sidewalk far below; and a tense sequence on the Manhattan Bridge when Jerry has to fight off a thug and get rid of a bomb attached to one of the nitro canisters at one and the same time. The editing manages to blend Jerry and the other characters into the New York City exteriors quite well, and the irritating theme music is used sparingly for a change. 

Verdict: More than decent action film from West Germany. ***. 

MANHATTAN NIGHT OF MURDER

Heinz Weiss and George Nader

MANHATTAN NIGHT OF MURDER (aka Mordnacht in Manhattan/1965). Director: Harald Philipp. 

In New York a group of thugs called The Hundred Dollar Gang are terrorizing business owners who don't pay the monthly protection fee of $100. During an attack on a restaurateur, the man is shot to death, but apparently not by any of the gang members. FBI agent Jerry Cotton (George Nader) and his partner, Phil Dekker (Heinz Weiss) investigate, and obtain the help of gas station owner Sophie (Elke Neidhart) while doing their best to protect little Billy (Uwe Reichmeister) who witnessed the shooting. Jerry and Phil eventually arrive at the Goldfish Club, where there are "mermaids" in a tank and a cool blonde named Wilma (Silvia Solar of Death and Diamonds) advises the gang members. But she is not the true leader -- that is something Jerry and Phil have to determine before they can put this case to bed.

George Nader

This is the second of eight German action films starring Nader as Cotton, and it is generally entertaining and fast-paced although it drags in some spots. The musical score, featuring the Carnival-like Jerry Cotton theme, becomes pretty annoying, however. Nader makes a good Cotton and the other performances are also adept. There is a terrific scene when one of the thugs, who screwed up, is tied to a chair with a bomb that will go off if anyone opens the door, and Jerry has to enter the room another way to prevent both of them from being killed. There are some fairly exciting fight and chase sequences. The identify of the ultimate gang leader is a small surprise. There are enough location shots to preserve the illusion that this actually takes place in New York City, although one suspects that this was filmed mostly in Germany. This follows The Violin Case Murders and is preceded by The Trap Snaps Shut at Midnight. 

Verdict: 2nd entry in an interesting series. **3/4. 

ROBOT MONSTER

George Nader and Ro-Man

ROBOT MONSTER (1953). Produced and directed by Phil Tucker. Screenplay by Wyatt Ordung. Originally shown in 3-D. Colorized. 

"You look like a pooped-out pinwheel!" -- little Johnny to Ro-Man.

After a nuclear war an alien race have wiped out the rest of earth's civilization, aside from a handful of people: a professor (John Mylong) and his wife (Selena Royle); their daughter Alice (Claudia Barrett); their little boy Johnny (Gregory Moffett); his sister Carla (Pamela Paulson); and Alice's sometime boyfriend, Roy (George Nader of Death and Diamonds). Ro-Man (George Barrows; voiced by John Brown) is unaware that these people are immune to his ray guns because of an antibiotic they've taken. Ro-Man -- who appears to be a gorilla wearing a diving helmet -- seems taken with Alice, but will his interest in her be enough to save them? Things get grim in this comic bookish nightmare ... 

Claudia Barrett, John Mylong, George Nader

Behind the opening credits of Robot Monster are a variety of science fiction magazines and comics, which is especially appropriate because the movie is like a kid's comic book story, with ridiculous "science" and not much logic. The basic idea of a family trying to hold out against an all-powerful invader is perfectly good, but the movie -- especially its depiction of the ludicrous invaders -- is even sillier than some of those much-more-entertaining Republic sci fi serials such as Radar Men from the Moon. Still the acting is generally good, with Royle and Barrett playing with conviction, no easy feat considering the movie's absurdities. It's strange that the movie has such downbeat sequences as a child being murdered, however, considering the general tone of the picture. To pad out the running time there is stock footage of dinosaurs with some flimsy excuse for their appearance. Elmer Bernstein's theme music is better than the picture deserves. George Barrows also wore a gorilla outfit in Hillbillies in a Haunted House fourteen years later. Every cast member, aside from the children, had dozens and dozens of credits. 

Verdict: It's not very good but it may hold your attention in spite of it if only to see who survives. **1/4. 

HOUSE OF A THOUSAND DOLLS

George Nader, Martha Hyer and Vincent Price

HOUSE OF A THOUSAND DOLLS (aka House of 1000 Dolls/1967). Director: Jeremy Summers. 

Dr. Stephen Armstrong (George Nader of Sins of Jezebel) and his wife, Marie (Ann Smryner), are vacationing in Tangier when their friend, Fernando (Sancho Gracia), tells them that he's searching for his missing fiancee, Diane (Maria Rohm). Diane was last seen in Vienna where she was made to disappear by stage magician Manderville (Vincent Price) and his assistant, Rebecca (Martha Hyer of First Men in the Moon) -- and she was never seen again. Diane has been shanghaied to the House of 1000 Dolls, a house of prostitution where most of the kidnapped girls are forced to service wealthy clients and are mistreated by the staff, including Madame Viera (Yelena Samarina). When Fernando is found murdered, Stephen begins his own investigation, but he doesn't realize that this will cause a lot of trouble for himself and his wife ... 

Magician Manderville (right) checks out Dr. Armstrong

House of a Thousand Dolls, whose villains are truly loathsome, has a certain sinister atmosphere throughout and holds the attention, if for no other reason than you hope to see the bad guys get their comeuppance at the finish. Manderville, Rebecca, and the others report to a mysterious King of Hearts whose identity isn't revealed until the end. The actors are all professional, although Price -- probably contemplating which piece of art he will buy with his paycheck -- doesn't put himself out too much. Luis Rivera makes an impression as Fernando's sexy friend, Paul. For some reason Stephen is remarkably obnoxious to the police inspector (Wolfgang Kieling of Our Man in Jamaica) in the case, which seems foolish for someone who may need the man's help in the future. There's a fairly exciting chase scene with two desperadoes pursuing Stephen through a series of interesting locations (the film was actually shot mostly in Spain). Reportedly a racier version of the flick was shown in Europe. The villains in this don't really get the vicious fates they so richly deserve. 

Verdict: Minor but entertaining and smooth Euro-thriller. ***.  

DEATH AND DIAMONDS

George Nader as Jerry Cotton

DEATH AND DIAMONDS (aka Dynamit in grune Seide/1968). Director: Harald Reinl. 

The FBI has been after a hoodlum named Stone for a long time, and learns that he has come up with a master plan that will employ a career criminal and safecracker named Trevor (Claus Tinney). It is decided to have top agent Jerry Cotton (George Nader) replace Trevor and infiltrate the gang. Cotton, who deals primarily with Charles Bloom (Carl Mohner), Stone's good right hand, discovers that Stone's plan is to use paralyzing gas in a plot to steal millions of dollars worth of diamonds. Cotton's problem is to maintain his false identity while doing everything he can to foil this plot -- and keep himself from being murdered. 

Carl Mohner (right) as Bloom

Death and Diamonds is another fast-paced and entertaining Jerry Cotton thriller from Germany, with Nader and the rest of the cast in good form. In one suspenseful bit Jerry is nearly incinerated when he's locked in a kind of furnace, and there's an incredible scene when he simply launches himself at an approaching car and smashes through the windshield with his feet! Silvia Solar plays a blonde associate of Bloom's who winds up kidnapped by him, and there's a wild scene when a nasty brunette named Mabel (Marlies Drager) takes a slashing whip to the woman. Heinz Weiss is back as Jerry's associate Phil Decker and Claus Holm plays his boss "Butt" Lancaster. The finale of the film has Jerry trying to capture Stone while Bloom and the others try to outwit Cotton, Stone and each other over 12 million dollars in diamonds. Followed by Death in a Red Jaguar. 

Verdict: Fun and often exciting German thriller. ***.   

SINS OF JEZEBEL

Paulette Goddard

SINS OF JEZEBEL (1953). Director: Reginald Le Borg.  

King Ahab (Eduard Franz of The Four Skulls of Jonathan Drake) of Israel sends Captain Jehu (George Nader of Death in a Red Jaguar) to accompany his bride-to-be, Princess Jezebel (Paulette Goddard), back to the palace. Jezebel is delighted to see handsome Jehu and at first mistakes him for the King. Her face reflects her disappointment when she finally comes face to face with the much-older Ahab, but she's also relieved that her future husband isn't the fat man in consultation with him. Even before the ceremony, Jezebel is making out with a besotted Jehu, who undoubtedly thinks that his girlfriend, Deborah (Margia Dean), can't hold a candle to the much sexier Jezebel. Jezebel insists that Ahab build a temple to her Pagan God, Baal, which infuriates the pious prophet Elijah (John Hoyt). You know all of this will lead to trouble. And just where does one of the Three Stooges fit in with Jezebel and her schemes? 

Goddard with George Nader

No, this isn't The Three Stooges Meet Jezebel although that might have been more fun. And Joe Besser of the Stooges does have a very small role as the keeper of the chariots (and isn't very good). Sins of Jezebel almost sinks right from the start with tedious narration of Genesis from the bible delivered by John Hoyt in front of a large painting depicting some of the events. With a beard, Hoyt also plays Elijah and he is good in the role, although when he shows up again as a lecturer at key moments (obviously the budget was too small to film every sequence) it's a different story. 

John Hoyt as pious Elijah

Paulette Goddard had only four minor films to make and several TV appearances before she retired. She was still quite attractive at 43 but not quite in the siren league. She gives a solid "B" movie performance in this -- the film doesn't deserve anything better -- and the same could be said for George Nader. Sins doesn't have very strong production values, and the best thing about it is a notable score by Bert Shefter. The picture does follow the essential story of Jezebel, Ahab and Elijah, although we don't see the queen being eaten by wild dogs. 

Verdict: Not bad or campy enough to be good. **.