TOP SECRET

Gordon Scott

TOP SECRET (aka Segretissimo/1967). Director: Fernando Cerchio. 

Baron Von Klausen (Antonio Gradoli) has escaped from the communists and brought with him some top secret documents. But there is a question if this man is the real Von Klausen. Agent John Sutton (Gordon Scott) is assigned to find out what he can and comes afoul of thugs and lethal ladies in Casablanca, Rome and Naples. Sandra Dubois (Magda Konopka) is a beautiful Russian spy and Zaira (Aurora de Alba) is working with "Von Klausen" and his associates. It is a question who will snatch the documents away from Von Klausen's group: Sutton or the beautiful and highly competent Sandra. 

Magda Konopka

Top Secret is an above average eurospy film, certainly better than Scott's other 1967 spy outing Danger!! Death Ray. It has moments of intentional humor, a fast pace and light tone, and the players, including Scott, are all adept and enthusiastic. Polish actress (and baroness) Magda Konopka is so beautiful and sexy as the Russian spy that it's amazing that she never wound up in a James Bond movie (although she reportedly had an affair with Sean Connery, which makes her absence from the 007 films even stranger). The same year Top Secret came out Konopka married a billionaire but the marriage only lasted three months. She later wound up in When Dinosaurs Ruled the Earth.

Top Secret

Scott and Konopka share an intimate moment

 has many entertaining sequences, although a bit with a conveyor belt death trap is too brief. Sutton also winds up being pulled up in the air by a copter as he swings helplessly in the cage below (but not enough is done with this sequence). The best bit has Sutton and Sandra locked in an automobile that's been deposited on the tracks as a train rapidly approaches, but our hero manages to free the two of them in the nick of time. At one point an angry Sutton actually hits Sandra, but she gets the better of him with her own martial arts moves. In a later scene Sutton is kidnapped by a pack of "nuns," one of which is a man in drag. Oddly, Scott's name does not appear in the opening credits. The "dabba dabba" theme song is horrible.

Verdict: Sexy leads, nasty nuns -- what more could you ask for? **3/4. 

FULLER REPORT

Lincoln Tate and Ken Clark

FULLER REPORT (aka Rapporto Fuller, base Stoccolma/1968). Director: Sergio Grieco.  

American race car driver Dick Worth (Ken Clark of Attack of the Giant Leeches) is in Stockholm when he becomes innocently embroiled in espionage, suddenly mixed up with CIA agents like Pearson (Lincoln Tate) and Clay (Gianni Brezza), Russian agents like Bonjasky (Serge Marquand), and a defecting ballerina named Svetlana (Beba Loncar), as well as other duplicitous females who are murdered. Despite all the different factions and their confusing schemes -- everyone wants to get their hands on something called the Fuller Report -- Dick doesn't realize that the true architect behind his problems may be much closer to home, and that there is a right wing conspiracy afoot to assassinate a certain world leader. 

Clark with Beba Loncar

Ken Clark appeared in a number of eurospy features playing super-spies, but in this he's an ordinary man, as such, thrown into intrigue. Fuller Report doesn't have that bad a plot but the pacing is slow, and it may not be long before you find that you couldn't care less about what's really going on. Clark looks the part of the hero, and the dubbed supporting cast all seem more than adequate for the task. The movie has an imitation James Bond type theme, sung by a lady who tries to imitate Shirley Bassey, and it wears out its welcome pretty quickly. Shot in Stockholm, Zurich, and London, with interiors in Rome. Clark also did Mission Bloody Mary for director Grieco. 

Verdict: Watching this on fast-forward might improve it. **. 

OSS 117: MISSION TOKYO

Frederick Stafford and Marina Vlady

OSS 117: MISSION TO TOKYO (aka Atout coeur a Tokyo pour OSS 117/1966). Director: Michel Boisrond. 

Agent 117 (Frederick Stafford) figures out that a U.S. military base was wiped out by a miniature plane, so his next stop is Japan. In Tokyo he interacts with two women: Eva Wilson (Marina Vlady), who apparently gave away the coordinates of the aforementioned base; and adorable "hostess" Tetsuko (Jitsuko Yoshimura), who is actually a lieutenant who is working undercover. Wealthy entrepreneur Yekota (Valery Inkijinoff) has joined forces with shipbuilder Vargas (Mario Pisu) to blackmail the U.S. to pay them millions or else another base will be destroyed. Wanting to draw out the bad guys, 117 pretends to be Eva's husband until the real husband, John Wilson (Henri Serre), puts in an appearance. Is Eva being forced to work with Yekota and his associates because of her estranged husband, or is she doing this on her own? 117 will find out once he reaches Yekota's HQ on a huge ship on the ocean. 

Jitsuko Yoshimura with Stafford

In some ways Mission to Tokyo might come off like an inferior rip-off of You Only Live Twice, if it weren't for the fact that the Bond film came out the following year. Nevertheless the Japanese settings are telling. Not only is this not as good as the 007 adventure, it's inferior to Stafford's first 117 film, Mission for a Killer, even though Terence Young, who wrote and directed Dr. No and directed both From Russia with Love and Thunderball, "adapted" the screenplay for this picture. 117 has an amusing battle with a giant Sumo wrestler, and the production values are solid, but otherwise this is a fairly standard Eurospy film and no more. At one point 117 pretty much implies that he won't protect Eva unless she sleeps with him -- what a guy! In French with English sub-titles. 

Verdict: Watch You Only Live Twice instead. **1/2. 

OSS 117: MISSION FOR A KILLER

Frederick Stafford

OSS 117: MISSION FOR A KILLER (aka Furia a Bahia pour OSS 117/1965.) Director: Andre Hunebelle. 

After a series of suicide bombings which seem to be committed by solid citizens who have been drugged, Agent 117 (Frederick Stafford) is sent down to Rio to investigate. There he meets two lovely ladies: supposed secretary Consuela (Perrette Predier), who's in league with the bad guys, and Ana-Maria (Mylene Demongeot), who is being targeted by them because she knows too much. Ana-Maria and her brother Miguel (Jacques Riberolles) are friends with a man named Leandro (Raymond Pellegrin) who may or may not be in league with Carlos (Francois Maistre), who wants to bring about a New World Order from his base in the jungles of Brazil. 

Stafford, Demongeot, Riberolles

After Kerwin Mathews finished two OSS 117 films for director Andre Hunebelle, the latter discovered Czech actor Stafford and cast him as the secret agent in his first movie. Like Mathews, Stafford plays a super-cool, seemingly unflappable and mostly unemotional  spy. While he isn't better in the role than Mathews, he does seem a touch more likable. In addition to widescreen photography and color, the film greatly benefits from intriguing and colorful locales and some spectacular scenery. 

Spectacular scenery

Mission for a Killer has several memorable scenes: a gunman opens fire in an operating theater, killing the patient, shooting doctors and nurses, and nearly killing 117 and Ana-Maria. There's a terrific sequence in which a felon uses a flame thrower on 117 and doesn't care if he burns up his own partner or the entire house. Then there's a lively battle on a plane over the Amazon where the balance of power quickly shifts from one side to the other and back again. A climax on a waterfall boasts a truly spectacular setting. While Mission for a Killer isn't quite up to the level of the best of the Bonds, it is still a superior eurospy movie. Stafford later starred in Alfred Hitchcock's Topaz. Followed by OSS 117: Mission to Tokyo. In French, with English sub-titles.

Verdict: Smooth, fast-paced entertaining spy stuff. ***. 

DIE SLOWLY, YOU'LL ENJOY IT MORE

Brad Harris and Lex Barker

DIE SLOWLY, YOU'LL ENJOY IT MORE (aka Spy Today, Die Tomorrow aka Mister Dynamit -- morgan kust euch der tod/1967). Director: Franz Josef Gottlieb.

A wealthy criminal named Baretti (Amedeo Nazzari) -- an arms smuggler who loves playing with toy trains --  has managed to steal a nuclear missile away from a stockpile in New Mexico, and now demands a billion dollars from the U.S. government or he will drop the bomb on Washington, D.C. Agent Bob Urban (Lex Barker), also known as "Mr. Dynamite," is assigned to the case. He is briefly assisted by a man named Cliff (Brad Harris) and dallies with a lovely lady, Lu (Maria Perschy), who may or may not be on the side of the angels. A certain General Burch (Jose Suarez) is secretly working with Baretti. 

Amedeo Nazzari

Die Slowly is yet another poor imitation of Thunderball. Former Tarzan Lex Barker is fine as the super-spy but his vehicle is padded with too many scenes of generals sitting around talking and talking, trying to decide what to do about Baretti and his bomb while there are only occasional spurts of action from Urban. (One late sequence involving a lot of metal barrels is at least well-staged). Other cast members you may have heard of include Gustavo Rojo and Wolfgang Preiss. Virtually everyone in this international production is dubbed. 

Verdict: Thunderball it ain't. **.

THE BLACK BOX AFFAIR

Craig Hill

THE BLACK BOX AFFAIR (aka Il mondo trema/1966). Director: James Harris (Marcello Ciorciolini). 

Johnny Grant (Craig Hill of You Have to Run Fast) is a spy who retired when his wife was murdered, but former boss Mr. X (Herbert Montureano) and his old partner, Pablo (Luis Marin), need him back in the game. Various agents have gathered to try to recover a "black box" from an aircraft that crashed. This does not refer to the black boxes you generally find in airplanes, but to a mysterious device with unusual properties that Russian and Chinese agents want to get their hands on. Johnny decides to join in when he learns that his arch-enemy Fabian (Rolf Tasna), who was responsible for his wife's death, is also up to his old tricks. 

Hill with Rossella Bergamonti

Johnny and Pablo bounce around and eventually wind up in Vienna, where there is some action at the amusement park (which later figured in the James Bond movie The Living Daylights). Johnny dallies with several ladies: the drug-addicted Ambra (Moa Tahi); the duplicitous Myriam (Rossella Bergamonti); and the lovely Madame Florian (Teresa Gimpera), who may also have her own secrets. The movie has plenty of lively fistfights, especially at the opening, and Hill makes a splendid spy. The villains try to kill Johnny by blowing up an entire airliner, but he hardly seems concerned about this, and is making jokes with Pablo not much later. Twenty-four years after appearing together in this film Hill and Gimpera were married. 

Verdict: Slugfests are not enough to make a great movie, but Hill is effective and this at least holds the attention. **1/2. 

 

OUR MAN IN JAMAICA

Larry Pennell as Agent 001

OUR MAN IN JAMAICA/aka A 001: operazione Giamaica/1965.) Director: Richard Jackson. 

Ken Stewart, aka Agent 001 (Larry Pennell), is sent to Jamaica to investigate the disappearance of Larry Peacock, Agent 009. Once there, Stewart pretends to be an antique dealer, and establishes a friendship with Mrs. Cervantes (Linda Sini), who is also in the business. But Larry develops a more personal relationship with the older woman's secretary, Gloria (Barbara Valentin), and Larry's sister, Jane (Margitta Scherr). Joining forces with Captain Mike Jefferson (Brad Harris), Stewart tries to uncover the true identity of an arms dealer operating out of the island, and winds up in the villain's makeshift electric chair! 

Brad Harris as Captain Jefferson

Clearly modeled after Dr. No -- although with a much less interesting villain -- Our Man in Jamaica is a fair-to-middling Eurospy film that features all of the usual elements, including an American actor in the lead; Pennell is fine as the spy. Brad Harris, also an American, went on to co-star in several more eurospy films in the Kommissar X series. This is a pretty low-tech affair -- a high-frequency recorder seems to be Agent 001's only gadget -- with location filming, and women who are far less beautiful than you usually see in Bond movies. Like Dr. No, the villain in this, played by Wolfgang Kieling, has his own private island, but there isn't much of interest on it. A pop tune that deliberately sounds like music for the Bond films plays over the opening credits.

The film has a hilarious prologue, with both Stewart and a lady friend passed out after a night of lovemaking. The woman says "You can marry me, like you said." To which a hungover Stewart replies: "Who are you?" Unlike a lot of eurospy movies, Our Man in Jamaica manages to hold the attention and proceeds at a relatively swift pace, but it never quite develops into anything that memorable. Italy-West Germany-Spain co-production. 

Verdict: Well-played and smooth but no Dr. No. **1/2. 

MISSION TO CARACAS

Roland Carey as agent Gil Becker

MISSION TO CARACAS/Mission speciale a Caracas/1965. Director: Raoul Andre. 

In Caracas Special agent Gil Becker (Roland Carey using the name "Rod Carter") is after a self-described evil Frenchman named Vasson (Saro Urzi). Vasson works with Madame de Lainville (Louise Carletti), the directress of an institution for underprivileged young girls, but she has no intention of being underprivileged herself. 

Agent Becker with femme fatale

Vasson exchanges a formula for a deadly neurotoxin, PK 23, for a bunch of diamonds from a consortium, which he passes off to Madame. On a cruise ship some of Madame's female associates try their damnedest to get the briefcase containing the diamonds away from the directress, with the result that she is thrown overboard and, later, six or seven of the gals engage in a protracted "cat fight." Meanwhile there are assorted spies who don't want the diamonds, but rather the briefcase, which contains special secret documents irradiated in such a way that the writing will eventually vanish. Dodging assorted spies and weapons, including a camera that doubles as a weapon, Becker does his best to outwit everyone. 

Paul Demange and Carey

Mission to Caracas is a pretty bad eurospy film. Believe me, it wasn't easy coming up with a coherent synopsis of the plot as there are so many characters working at cross purposes you need a scorecard. French-Swiss actor Carey makes a perfectly acceptable super-spy, but he appeared mostly in "peplum" movies; this was his only appearance as Gil Becker. Even dubbed, Urzi makes an impression as the slimy but charming Vasson. The movie is all but ruined by a horrible jazzy headache-inducing score that never matches up with the action on screen, and many of the action sequences are clumsily staged. A Spanish-Italian-French co-production.

Verdict: Try and follow it if you dare! *1/2. 

MISSION BLOODY MARY

Dick Malloy (Ken Clark) works at his favorite occupation

MISSION BLOODY MARY (aka Agente 077 missione Bloody Mary/1965). Director: Sergio Grieco. 

"Bloody Mary" is the code name for a  new nuclear bomb called B-32. When the bomb is stolen from the wreckage of a plane that crashed in France, CIA agent 077, Dick Malloy (Ken Clark), is sent into action, taking time away from the women he loves to romance and bed. He has a stocky assistant named Lester (Antonio Gradoli) and also hooks up with a friendly taxi driver (Andrea Scotti) after escaping from a yacht. But his main contact is Dr. Elsa Freeman (Helga Line). Dick finds the bomb inside a block of stone inside a factory but then he has to do his best to keep enemy agents from getting their hands on it.

Ken Clark and Helga Line

Mission Bloody Mary is the second of three Dick Malloy films starring Ken Clark, best-known for the schlock classic Attack of the Giant Leeches. He's given a weird dubbed voice in this one, and his performance is hard to judge, but with a physique that puts Sean Connery's to shame, and an ability to love up the women and rough up the guys in more than adequate fashion, it's easy to see why he was cast in these Eurospy films, co-productions of France, Italy and Spain. 

Dick Malloy with colleague

At one point Malloy has to audaciously confirm Elsa's identity by looking at her naked breasts, which she, of course, allows him to do as the camera swings discreetly away. A bad guy who calls himself the "Black Lily" turns a room into a makeshift crematorium to get rid of a difficult colleague. There's a helpful cab driver, both Russian and Chinese agents, and some duplicitous individuals -- as well as the usual interesting locations, with a climax in Athens. This moves at a fast enough pace to keep you watching although it gets a little wearisome towards the end. The pop tune "Bloody Mary," composed by Ennio Morricone, plays over the title credits.

Verdict: Acceptable Eurospy fare. **1/4. 

SECRET AGENT FIREBALL

Richard Harrison as agent Bob Fleming

SECRET AGENT FIREBALL (aka Le spie uccidono a Beirut/1965).  Director: Luciano Martino (Martin Donan)

American agent Bob Fleming (Richard Harrison) is assigned to locate a missing scientist before the Russians do. His boss gives him "unlimited expenses and permission to kill." When the scientist is murdered, Fleming must find a piece of microfilm that has a formula for the H bomb on it, and goes after the dead man's niece, Liz (Dominique Boschero), to see if she knows anything. Unfortunately, sinister Soviet agents have the same idea, and Fleming is forced to rescue the young lady more than once. 

Harrison and Dominique Boschero

This Italian Eurospy movie is typical of the genre, with a horny and ruthless hero, sadistic spies, a femme fatale, and a variety of colorful locations. Fleming is certainly not chivalrous, however. When he and another, older woman are kidnapped at one point, he escapes from the car they are in and just leaves her behind to be murdered! Although there is some globe-hopping, most of the action takes place in Beirut.

Richard Harrison

One spy uses a pipe that contains a lethal dart, used to kill the aforementioned scientist and others. A police car that suddenly turns into a boat reminds one of a sequence in the later Moonraker. There is a knife fight with the two participants tied together with a rope, and two lady wrestlers are the entertainment in a nightclub. Fleming is assisted by Lepetit (Alcide Borik), an alleged taxi driver who has a lot of tricks up his sleeve. Harrison makes a good-looking super-spy and handles both love scenes and fist fights with aplomb. He played Bob Fleming in a later film as well. 

Verdict: Not to be confused with a classy James Bond flick. **1/4. 

OSS 117 -- PANIC IN BANGKOK

Kerwin Mathews 

OSS 117 -- PANIC IN BANGKOK (aka Shadow of Evil aka /Banco a Bangkok pour OSS 117/1964). Director:  Andre Hunebelle.

Operative Hubert Bonisseur (Kerwin Mathews of The Boy Who Cried Werewolf) -- a lover boy with a real line -- is assigned to replace a murdered agent who was investigating a series of plague outbreaks in Thailand. In Bangkok Hubert works with a man named Leacock (Henri Virlojeux) and gains an enthusiastic and helpful assistant in Sonsak (Akom Mokramond). After interviewing Professor Hogby (Jacques Hilling) and his pretty blond secretary, Eva (Dominique Wilms), Hubert set his sights on a charismatic character named Dr. Sinn (Robert Hossein) -- or rather Sinn's lovely sister, Lila (Pier Angeli). Hubert is unaware that Eva is Sinn's lover. Sooner or later, Hubert hopes to uncover exactly who is unleashing the deadly plague -- and why.

Robert Hossein as Dr. Sinn

Well, with one character named "Dr. Sinn" you may not be too surprised at the identity of the villain in this, but you may be surprised that OSS 117 is as (modestly) entertaining as it is. Mathews makes an effective leading man, and Hossein is equally good as his adversary, A group called the Elected People have decided to wipe out most of the world's population and start over again, or something like that. There's a nifty fight scene in a hotel, some nice photography and music, and the Bangkok settings are well chosen. However, while the movie holds the attention it utterly lacks the big scale action and excitement of the best of the Bond films, so some viewers may find this a snooze. OSS 117 was a character in French spy novels, and after the success of Dr. No, OSS 117 is Unleashed  -- also starring Kerwin Mathews -- was released. with Panic in Bangkok being the sequel. Since then there has been a whole series of foreign eurospy OSS 117 movies from the sixties until today with the part being played by John Gavin, Frederick Stafford and others. Kerwin Mathews and Pier Angeli reteamed for Octaman. (In French with subtitles.)  

Verdict: So-so spy film with Mathews making like a lower-key Bond. **1/2.